A carregar...
Publicação
Lugar e memória: do caminhar na rua para as imagens contemporâneas. Uma reflexão estética
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 2.55 MB | Adobe PDF |
Orientador(es)
Resumo(s)
A reflexão sobre a memória cultural, pós-memória e lugar nas imagens contemporâneas continua hoje a ser pertinente com os autores que recentemente se têm debruçado sobre estes temas no campo da estética e dos estudos artísticos, bem como com as obras de cinema e fotografia que nos últimos anos têm explorado estas questões. Esta dissertação pretende analisar a ligação entre lugar e memória no filme Hiroshima, mon amour, de Alain Resnais (França / Japão, 1959, 90’), na instalação de fotografia e vídeo The J. Street Project, de Susan Hiller (2002-2005) e no filme-ensaio Four Parts of a Folding Screen, de Anthea Kennedy e Ian Wiblin (Reino Unido, 2018). O trabalho parte do caminhar na rua para o caminhar nas imagens, e as obras escolhidas para análise têm a particularidade delas mesmas criarem o seu caminhar nas ruas que apresentam.
The reflection on cultural memory, post-memory, and place in contemporary images is still relevant today, with many authors in the artistic studies field working on these topics and with film and photography artworks still exploring those matters as well. This master thesis analyzes the link between place and memory in the following works: the feature film Hiroshima. mon amour, by Alain Resnais (France / Japan, 1959, 90’), the photography and video installation The J. Street Project, by Susan Hiller (2002-2005) and the film-essay Four Parts of a Folding Screen, by Anthea Kennedy and Ian Wiblin (UK, 2018). This dissertation goes from the idea of walking on the streets to the concept of walking on the images. The works chosen for this analysis have their own particularity of creating their walking on the featured streets.
The reflection on cultural memory, post-memory, and place in contemporary images is still relevant today, with many authors in the artistic studies field working on these topics and with film and photography artworks still exploring those matters as well. This master thesis analyzes the link between place and memory in the following works: the feature film Hiroshima. mon amour, by Alain Resnais (France / Japan, 1959, 90’), the photography and video installation The J. Street Project, by Susan Hiller (2002-2005) and the film-essay Four Parts of a Folding Screen, by Anthea Kennedy and Ian Wiblin (UK, 2018). This dissertation goes from the idea of walking on the streets to the concept of walking on the images. The works chosen for this analysis have their own particularity of creating their walking on the featured streets.
Descrição
Palavras-chave
Lugar Memória Imagens contemporâneas Ruas Fotografia Caminhar Cinema Sublime Materialidade e imaterialidade Fantasmas Judeus Holocausto Place Memory Contemporary images Walking Streets Photography Film Sublime Materiality and immateriality Ghosts Jews Holocaust