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Visita Guiada: mediações da cultura numa cultura de mediações
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Orientador(es)
Resumo(s)
Imagens de imagens, ecrãs de ecrãs, mosaicos de mosaicos, mediações de mediações, espelhos de espelhos, arquivos de arquivos ou, por outras palavras, um património de património. Assente neste movimento de mise en abyme e tendo como “fio de Ariadne” o programa televisivo Visita Guiada, a presente dissertação visa problematizar a relação contemporânea com o património e o papel decisivo, senão mesmo central, que a imagem adquire nesse processo. Se o humano sempre viveu com mediações, na contemporaneidade este vive nas mediações. Numa cultura onde proliferam as “visitas guiadas” com a própria cultura, importa atender à preponderância do património como formador de alteridade(s) e o seu consumo para a construção de identidade(s), indispensáveis enquanto mediações que estabelecem as ligações numa
comunidade.
Images within images, screens within screens, mosaics within mosaics, mediations within mediations, mirrors within mirrors, archives within archives or, in other words, heritage within heritage. Based on a mise en abyme technique and having as “Ariadne´s thread” the television program Visita Guiada (Guided Tour), this dissertation aims to discuss the contemporary relationship with heritage and the decisive, if not even central, role that the image acquires in this process. Knowing that humans have always lived with mediations, nowadays they live in mediations. In a culture where “guided tours” with culture itself proliferate, it is important to take into account the preponderance of heritage as a creator of alterity(ies) and its consumption for the construction of identity(ies), indispensable as mediations that establish connections in a community.
Images within images, screens within screens, mosaics within mosaics, mediations within mediations, mirrors within mirrors, archives within archives or, in other words, heritage within heritage. Based on a mise en abyme technique and having as “Ariadne´s thread” the television program Visita Guiada (Guided Tour), this dissertation aims to discuss the contemporary relationship with heritage and the decisive, if not even central, role that the image acquires in this process. Knowing that humans have always lived with mediations, nowadays they live in mediations. In a culture where “guided tours” with culture itself proliferate, it is important to take into account the preponderance of heritage as a creator of alterity(ies) and its consumption for the construction of identity(ies), indispensable as mediations that establish connections in a community.
Descrição
Palavras-chave
Alteridade Comunidade Consumo Imagem Património Televisão Alterity Community Consumption Heritage Image Television