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As Imagens de Morris Engel e Ruth Orkin: O Berço da Modernidade no Cinema
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Esta dissertação debruça-se sobre a obra de Morris Engel e Ruth Orkin. Com base em textos e teorias de André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul e Richard Leacock, procuramos dar sustentabilidade à ideia (apontada por estes autores) que Little Fugitive (1953) é o “elo que falta” entre a fotografia de rua, o neo-realismo italiano e o nascimento do cinema independente norte-americano tal como da Nouvelle Vague francesa; e que se deve a Morris Engel a paternidade do primeiro sistema síncrono som-imagem inteiramente móvel, posto à prova na sua última longa-metragem, Weddings and Babies (1958).
This dissertation deals with the work of Morris Engel and Ruth Orkin. Supported by the texts and theories of André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul and Richard Leacock, I try to sustain the idea (pointed out by these authors) that Little Fugitive is the “missing link” between street photography, the Italian neorealism and the birth of the American independent cinema as such as the French New Wave; and that Morris Engel is the inventor of the first fully mobile, synchronous sound-and-picture system, which was tested in his last movie, Weddings and Babies (1958).
This dissertation deals with the work of Morris Engel and Ruth Orkin. Supported by the texts and theories of André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul and Richard Leacock, I try to sustain the idea (pointed out by these authors) that Little Fugitive is the “missing link” between street photography, the Italian neorealism and the birth of the American independent cinema as such as the French New Wave; and that Morris Engel is the inventor of the first fully mobile, synchronous sound-and-picture system, which was tested in his last movie, Weddings and Babies (1958).
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Palavras-chave
Morris Engel Ruth Orkin Fotografia de Rua Nova Vaga André Bazin Novo Cinema Americano Câmara-caneta Cine-olho Cinema Directo Neorealismo Flâneur Modernidade Classicismo Nova Iorque Coney Island Pós-guerra Infância Street Photography New Wave New American Cinema (NAC) Camera-pen Cine-Eye Direct Cinema Neorealism Wanderer Modernity Classicism New York Childhood Post-war