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Estética e semiótica do fio: O ato de escrever e desenhar no espaço
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A presente pesquisa busca traçar o conceito de estética e semiótica do fio, integrando os seus possíveis comportamentos e significações, a partir de um estudo das obras instalativas da artista contemporânea Chiharu Shiota, considerando as referências disponíveis sobre o assunto nas perspectivas históricas, mitológicas, antropológicas, filosóficas e artísticas. Explana sobre a expansão da materialidade e a desmaterialização dentro do universo artístico, esclarecendo a ressignificação da matéria, bem como a ressignificação do fio têxtil, para a arte. Apresenta um breve histórico sobre a arte têxtil e suas particularidades narrativa e feminina. Discorre sobre o universo da instalação e suas características efémera, contextual e espacial, tendo em conta o processo criativo do artista e sua intenção para a criação e a interpretação da obra. Explora as narrativas mitológicas têxteis; os conceitos de linha, traço e fio de Ingold (2007); as linhas de segmentação, fissura e de fuga constituintes do sujeito, esboçadas por Deleuze e Parnet (1998) e Deleuze e Guattari (1983); traz o pensamento artístico de Edith Derdyk e sua experiência com o trabalho criativo com a linha e o fio. Desta triangulação de pensamentos e conceitos, esboça-se o estudo de caso das instalações de Chiharu Shiota, com fontes que vão desde press-releases, textos de críticos da arte e de curadores, fotos e vídeos, entrevistas encontradas com a artista, bem como uma visita presencial a uma das obras, o que traz uma abordagem também empírica para a análise, e uma entrevista com a artista concedida para a presente investigadora.
This present research seeks to trace the concept of aesthetics and semiotics of the thread, integrating its possible behaviours and meanings, from a study of the installation artworks of the contemporary artist Chiharu Shiota, considering the available references on the subject in the historical, mythological, anthropological, philosophical and artistic perspectives. Explains about the expansion of materiality and dematerialization within the artistic universe, clarifying the re-signification of matter, as well as the re-signification of textile thread. It presents a brief history of the textile art and its narrative and feminine particularities. It discusses the universe of the installation and its ephemeral, contextual and spatial characteristics, considering the artist's creative process and their intention for the creation and interpretation of the artwork. Explores mythological textile narratives; the concepts of line, trace and thread of Ingold (2007); the segmentation, fissure and escape lines that make up the subject, outlined by Deleuze and Parnet (1998) and Deleuze and Guattari (1983); brings the artistic thought of Edith Derdyk and her experience in creative work with thread and trace. From this triangulation of thoughts and concepts, the case study of Chiharu Shiota's installations is outlined, with sources ranging from press releases, texts by art critics and curators, pictures and videos, interviews found with the artist, as well as a face-to-face visit to one of the artworks, which brings an empirical approach to the analysis, and an interview with the artist granted to the present researcher.
This present research seeks to trace the concept of aesthetics and semiotics of the thread, integrating its possible behaviours and meanings, from a study of the installation artworks of the contemporary artist Chiharu Shiota, considering the available references on the subject in the historical, mythological, anthropological, philosophical and artistic perspectives. Explains about the expansion of materiality and dematerialization within the artistic universe, clarifying the re-signification of matter, as well as the re-signification of textile thread. It presents a brief history of the textile art and its narrative and feminine particularities. It discusses the universe of the installation and its ephemeral, contextual and spatial characteristics, considering the artist's creative process and their intention for the creation and interpretation of the artwork. Explores mythological textile narratives; the concepts of line, trace and thread of Ingold (2007); the segmentation, fissure and escape lines that make up the subject, outlined by Deleuze and Parnet (1998) and Deleuze and Guattari (1983); brings the artistic thought of Edith Derdyk and her experience in creative work with thread and trace. From this triangulation of thoughts and concepts, the case study of Chiharu Shiota's installations is outlined, with sources ranging from press releases, texts by art critics and curators, pictures and videos, interviews found with the artist, as well as a face-to-face visit to one of the artworks, which brings an empirical approach to the analysis, and an interview with the artist granted to the present researcher.
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Arte têxtil Instalação Linha Fio Chiharu Shiota Textile Art Installation Art Line Thread