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Passados e possíveis: memória e abertura ao desconhecido no trabalho do actor
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Resumo(s)
A presente dissertação se debruça sobre a experiência da memória no trabalho do ator a partir das investigações e formulações de Jerzy Grotowski. Pretende-se a recusa de uma concepção utilitarista da memória como arquivo e a afirmação de sua qualidade criadora, na medida em que opera como articuladora de fluxos - entre passado e presente, virtual e atual, recordação e imaginação - e se revela como força atuante no corpo, capaz de transformá-lo e gerar novas possibilidades inventivas. Um corpo-memória que se multiplica em seus passados e possíveis. Para isso, se estabelece ainda a interlocução do encenador com outras vozes da literatura e da filosofia, assim como com a experiência prática da autora.
This research approaches the memory experience within the actor's work, based on the investigations and formulations of Jerzy Grotowski. It is intended to reject the utilitarian conception of memory as an archive and to affirm its creative quality, insofar as it operates as an articulating force of flows - between past and present, virtual and actual, memory and imagination - revealing itself as an active force on the body, capable of transforming it and generate new inventive possibilities. A body-memory which multiplies itself in its past and possible. In this venture, a dialogue between the director and other voices of literature and philosophy, as well as the author's practical experience, is established.
This research approaches the memory experience within the actor's work, based on the investigations and formulations of Jerzy Grotowski. It is intended to reject the utilitarian conception of memory as an archive and to affirm its creative quality, insofar as it operates as an articulating force of flows - between past and present, virtual and actual, memory and imagination - revealing itself as an active force on the body, capable of transforming it and generate new inventive possibilities. A body-memory which multiplies itself in its past and possible. In this venture, a dialogue between the director and other voices of literature and philosophy, as well as the author's practical experience, is established.
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Palavras-chave
Teatro Memória Actor Grotowski Memória Corpo-memória Organicidade Trabalho sobre si Memory Body-memory Organicity Work on oneself