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Looking for Richard: realidade, ficção e verdade
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A dissertação possibilitou a análise do filme “Looking for Richard” do ator e realizador Al Pacino, a partir do impacto gerado pela inserção do contexto da peça teatral “Richard III” de William Shakespeare, na construção da narrativa do filme. As consequências da intercessão entre dois períodos históricos distintos, para a criação de uma nova história, revelada no cinema, foram analisadas em sua essência. A era elisabetana na qual o texto teatral de William Shakespeare “Richard III” se insere, assim como a influência do final da idade média com seus costumes, em contraponto com a contemporaneidade na cidade de Nova York, cenário proposto pelo realizador Al Pacino, possibilitou a criação da obra cinematográfica “Looking for Richard.” O filme do ator e realizador Al Pacino, criado a partir do confronto entre os dois períodos históricos distintos, gerou o questionamento a respeito da autoria de uma obra, assim como o impacto do texto clássico de William
Shakespeare, escrito originalmente para o teatro e as possibilidades de sua versão concretizada no cinema em um cenário contemporâneo; a cidade de Nova York.
The dissertation made it possible to analyze the film “Looking for Richard” by the actor and director Al Pacino, based on the impact generated by the insertion of the context of the play “Richard III” by William Shakespeare, in the construction of the film's narrative. The consequences of the intercession between two distinct historical periods, for the creation of a new history, revealed in the cinema, were analyzed in essence. The Elizabethan era in which William Shakespeare's theatrical text “Richard III” is inserted, as well as the influence of the late Middle Ages with its customs, in contrast to the contemporary in New York City, a scenario proposed by the director Al Pacino, generated the creation of the cinematographic work “Looking for Richard.” The film by actor and director Al Pacino, created from the confrontation between the two distinct historical periods, made it possible to question the authorship of a work, as well as the impact of the classic text by William Shakespeare, originally written for the theatre and the possibilities of its version realized in cinema in a contemporary setting; New York City.
The dissertation made it possible to analyze the film “Looking for Richard” by the actor and director Al Pacino, based on the impact generated by the insertion of the context of the play “Richard III” by William Shakespeare, in the construction of the film's narrative. The consequences of the intercession between two distinct historical periods, for the creation of a new history, revealed in the cinema, were analyzed in essence. The Elizabethan era in which William Shakespeare's theatrical text “Richard III” is inserted, as well as the influence of the late Middle Ages with its customs, in contrast to the contemporary in New York City, a scenario proposed by the director Al Pacino, generated the creation of the cinematographic work “Looking for Richard.” The film by actor and director Al Pacino, created from the confrontation between the two distinct historical periods, made it possible to question the authorship of a work, as well as the impact of the classic text by William Shakespeare, originally written for the theatre and the possibilities of its version realized in cinema in a contemporary setting; New York City.
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Ficção Realidade Shakespeare Autoria Cinema Al Pacino Richard III Authorship Movie theatre