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O "Trabalho sobre si" do actor-performer: cruzamento entre o Teatro e o Ritual na tradição desenvolvida por Jerzy Grotowski na Arte como Veículo
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A presente dissertação propõe um estudo sobre a noção/prática central na Arte como Veículo de Jerzy Grotowski: o trabalho sobre si. Para ampliar a compreensão sobre esta noção são estabelecidas algumas interlocuções com a literatura e a filosofia, além de se abordar a noção de organicidade – noção primordial no trabalho sobre si grotowskiano. O autor recorre no segundo capítulo às suas práticas pedagógicas e às experiências com os atores e diretores Mário Biagini do Workcenter of Jerzy Grotowski and Thomas Richards, Alain Alberganti e François Kahn para analisar e discutir os elementos primordiais da noção/prática que é o tema principal desta pesquisa. Os exemplos colhidos de situações específicas vivenciadas nestes
encontros contribui para ancorar a linguagem na experiência e ajudam a alcançar uma maior clareza no entendimento destes elementos e noções.
This research proposes a study on the central notion/practice in Art as a Vehicle by Jerzy Grotowski: the work on oneself. In order to broaden the understanding of this notion, some interlocutions are stablished with literature and philosophy, in addition to addressing the notion of organicity – a fundamental notion in the Grotowskian work on oneself. The author also draws on his pedagogical practices and in his experiences with the actors and directors Alain Alberganti, François Kahn and Mário Biagini of the Workcenter of Jerzy Grotowski and Thomas Richards, for whom the theater is a vehicle of a work on oneself, to analyze and discuss the main elements of this notion/practice. The examples collected from specific situations experienced in these meetings often contribute to anchoring language in the experience and give support to greater clarity on the understanding of these elements and notions.
This research proposes a study on the central notion/practice in Art as a Vehicle by Jerzy Grotowski: the work on oneself. In order to broaden the understanding of this notion, some interlocutions are stablished with literature and philosophy, in addition to addressing the notion of organicity – a fundamental notion in the Grotowskian work on oneself. The author also draws on his pedagogical practices and in his experiences with the actors and directors Alain Alberganti, François Kahn and Mário Biagini of the Workcenter of Jerzy Grotowski and Thomas Richards, for whom the theater is a vehicle of a work on oneself, to analyze and discuss the main elements of this notion/practice. The examples collected from specific situations experienced in these meetings often contribute to anchoring language in the experience and give support to greater clarity on the understanding of these elements and notions.
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Palavras-chave
Teatro Jerzy Grotowski Arte como Veículo Trabalho sobre si Organicidade Work on oneself Organicity Art as Vehicle