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O que comunica a arte?
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O corpo nas artes, como palco de relações e ligações estabelecidas e como
experiência da actualidade, tem vindo a ser alterado pelas exigências das novas
tecnologias. As artes do comportamento, da acção espectacular ou, mais
genericamente conhecidas, como artes do corpo, são cada vez mais artes do
acontecimento. Quanto à dimensão comunicacional da arte, pela impossibilidade de a
fechar num discurso estético, à volta da sua condição de conceito, de acontecimento
ou de verdade, é pelo lado das muitas incertezas, numa relação tensional, que a
comunicação e a arte vão continuar a interagir.
O percurso proposto assenta numa primeira abordagem à importância das
novas tecnologias na experiência e na arte: corpo, imagem e novas condições de
recepção; a aproximação da arte à experiência, à vida e à política; a arte, o
acontecimento e a verdade; explorar a relação entre linguagem e experiência.
Posteriormente, realizar-se-á uma aproximação às novas formas de subjectivização, à
comunicação numa dimensão relacional da experiência humana e ao sujeito na arte;
finalmente, propomos realizar uma reflexão sobre as possibilidades de comunicação da
arte, atendendo a que esta se estende não apenas ao campo restritamente artístico, mas
num campo alargado, indeterminado e relacional da experiência e numa atitude cada
vez mais interrogativa que afirmativa, aberta e relativizante.
The body in the arts, as a stage for relations and connections and as an experience of the present time, as been altered over time by the demands of new technologies. The arts of behaviour, of spectacular action, or as is known more generically, the arts of the body, are increasingly the arts of events. Regarding the communicational dimension of art, because of the impossibility of enclosing it in an aesthetic speech, around its condition of concept, of happening and of truth, it is because of the many uncertainties, in a relation of tensions, that communication and art will continue to interact. The proposed journey is based on a first approach to the importance of new technologies in experience and in art: body, image and new receptivity conditions; the approximation/rapprochement of art to experience, to life and to politics; art, experience and truth; explore the relation between language and experience. Subsequently, there will be a rapprochement to the new forms of subjectivism, to communication in a dimension related to human experience and to the individual in art; finally, we propose reflecting on the possibilities of communication in art, bearing in mind that art extends beyond a strictly artistic field to a larger, undetermined and related to experience, and with an attitude that is increasingly more interrogative rather than affirmative, open and relativizing.
The body in the arts, as a stage for relations and connections and as an experience of the present time, as been altered over time by the demands of new technologies. The arts of behaviour, of spectacular action, or as is known more generically, the arts of the body, are increasingly the arts of events. Regarding the communicational dimension of art, because of the impossibility of enclosing it in an aesthetic speech, around its condition of concept, of happening and of truth, it is because of the many uncertainties, in a relation of tensions, that communication and art will continue to interact. The proposed journey is based on a first approach to the importance of new technologies in experience and in art: body, image and new receptivity conditions; the approximation/rapprochement of art to experience, to life and to politics; art, experience and truth; explore the relation between language and experience. Subsequently, there will be a rapprochement to the new forms of subjectivism, to communication in a dimension related to human experience and to the individual in art; finally, we propose reflecting on the possibilities of communication in art, bearing in mind that art extends beyond a strictly artistic field to a larger, undetermined and related to experience, and with an attitude that is increasingly more interrogative rather than affirmative, open and relativizing.
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Tecnologias de Informação Arte Corpo Comunicação Novas tecnologias Subjectividades Art Body New technologies Communication Subjectivities