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Espécie de gente: Maria José, Barão de Teive e Bernardo Soares
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Orientador(es)
Resumo(s)
Partindo do conceito de espécie de gente, um termo usado por Fernando Pessoa
nas obras de Maria José, Barão de Teive e Bernardo Soares, procura-se evidenciar uma
unidade de sentido entre essas figuras por meio de uma relação intertextual, e através
dos textos de suporte existentes que funcionam como uma extensão explicativa do
conteúdo. Esta dissertação reforça a robustez das figuras no corpus pessoano, refutando
as diversas interpretações que, ao longo das últimas décadas, as acolheram como sobras
pessoanas. As obras destas personagens inserem-se no período final da vida do autor,
numa altura em que Pessoa se preocupava com a forma como seria acolhido pela
posteridade, uma inquietação que se reflete na construção destas narrativas.
Este estudo também demonstra como é que Fernando Pessoa concebe e organiza
a sua prosa através de uma leitura de documentos significativos que resgatam a
discussão sobre as especificidades das formas de classificação dos textos literários.
Constata-se que, nos últimos anos da vida de Pessoa, o género prosaico evolui no
sentido de igualar a qualidade estética e artística da poesia, que fora o género predileto
para o desenvolvimento de obras que eram atribuídas a figuras. A prosa deixa de ser a
casa de pequenas narrativas e dos escritos que suportam parte significativa do diálogo
entre as figuras do drama em gente, para ser um palco independente com as suas
próprias figuras, como é o caso de Maria José, Barão de Teive e Bernardo Soares. O
projeto a que pertencem estas três figuras difere significativamente de outras criações
prosaicas pessoanas, dado o investimento na robustez das personagens, revelando que
Fernando Pessoa, nos últimos anos da sua vida, estava a trabalhar num projeto literário
complexo com caraterísticas próprias, que o trabalho propõe analisar.
Focusing on the concept of sort of people, a term used by Fernando Pessoa in the literary works of Maria José, Barão de Teive, and Bernardo Soares, this study pursues to highlight an idea of unity among these figures through an intertextual relation, as well as through existing supporting texts that function as an explanatory extension of the content. This analysis reinforces the robustness of these figures within Pessoa's corpus, refuting various critical interpretations that have regarded them over the past decades as mere Pessoa's remnants. The works of these three figures was produced in the final period of the author's life, at a time when he was concerned with how he would be received by posterity, a concern reflected in the construction of these narratives. This study also demonstrates how Fernando Pessoa conceives and organises his prose through an analysis of significant documents that revive the discussion about the specificities of literary text classifications. It is noted that in the later years of Pessoa's life, the prose genre evolved to match the aesthetic and artistic quality of poetry, which had been the preferred genre for the development of works attributed to various figures. Prose ceased to be exclusively used to short stories and to develop the dialogue among the main heteronyms, and instead became an aesthetic form that harbours literary personas, such as Maria José, Barão de Teive and Bernardo Soares. The prose project to which these three figures pertain differs significantly from other prose creations by Pessoa, given the emphasis on the robustness of the characters, revealing that in the final years of his life, Fernando Pessoa was working on a complex literary project with its own distinctive characteristics, which this study aims to analyse.
Focusing on the concept of sort of people, a term used by Fernando Pessoa in the literary works of Maria José, Barão de Teive, and Bernardo Soares, this study pursues to highlight an idea of unity among these figures through an intertextual relation, as well as through existing supporting texts that function as an explanatory extension of the content. This analysis reinforces the robustness of these figures within Pessoa's corpus, refuting various critical interpretations that have regarded them over the past decades as mere Pessoa's remnants. The works of these three figures was produced in the final period of the author's life, at a time when he was concerned with how he would be received by posterity, a concern reflected in the construction of these narratives. This study also demonstrates how Fernando Pessoa conceives and organises his prose through an analysis of significant documents that revive the discussion about the specificities of literary text classifications. It is noted that in the later years of Pessoa's life, the prose genre evolved to match the aesthetic and artistic quality of poetry, which had been the preferred genre for the development of works attributed to various figures. Prose ceased to be exclusively used to short stories and to develop the dialogue among the main heteronyms, and instead became an aesthetic form that harbours literary personas, such as Maria José, Barão de Teive and Bernardo Soares. The prose project to which these three figures pertain differs significantly from other prose creations by Pessoa, given the emphasis on the robustness of the characters, revealing that in the final years of his life, Fernando Pessoa was working on a complex literary project with its own distinctive characteristics, which this study aims to analyse.
Descrição
Palavras-chave
Maria José Barão de Teive Bernardo Soares Prosa Espécie de Gente Unidade Prose Sort of People Unity