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Os azulejos da Capela Doméstica do Noviciado de Arroios. Um estudo histórico e uma intervenção de conservação e restauro sobre a série de Santo Estanislau Kostka
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Resumo(s)
O estágio desenvolvido no Museu Nacional do Azulejo (MNAz), entre 18 de
Setembro de 2017 e 1 de Março de 2018, visou a aprendizagem dos métodos de
conservação e restauro aplicados à azulejaria e o desenvolvimento da investigação
histórica sobre um conjunto intervencionado – a série de Santo Estanislau Kostka da
Companhia de Jesus. A série pertence ao revestimento produzido em meados do século
XVIII para a capela doméstica do antigo Noviciado desta família religiosa e que fora
depositada no Museu no ano 2000. Com efeito, o presente relatório dá conta da
aprendizagem desses métodos e da investigação ali ocorrida durante os seis meses do
estágio.
A estrutura do relatório reflete, inclusive, não uma divisão linear de cada uma
dessas fases, mas antes a integração de todas elas no resultado final do estudo. Procurouse
assim, aliar a investigação histórica aos tratamentos de conservação e restauro segundo
as metodologias inerentes aos respetivos domínios. A nossa organização temática resulta,
portanto, dessa síntese, expondo, desta forma, as questões que a nosso ver se revelaram
mais significantes para o conhecimento dos painéis de S. Estanislau Kostka.
The stage developed at the National Tile Museum (MNAz), between September 18, 2017 and March 1, 2018, aimed to learn the methods of conservation and restoration applied to tiles and the development of historical research on an intervened set - the series of St. Stanislaus Kostka of the Society of Jesus. The series belongs to the cladding produced in the middle of the eighteenth century for the domestic chapel of the former Novitiate of this religious family which had been deposited in the Museum in the year 2000. This report gives us an account of the learning of these methods and the research that took place during the six months of the internship. The report structure also reflects not a linear division of each of these phases, but rather the integration of all of them into the final outcome of the study. The aim was to combine historical research with conservation and restoration treatments according to the methodologies inherent to the respective domains. Our thematic organization results, therefore, from this synthesis, thus exposing the issues that in our view have proved most significant for the knowledge of S. Estanislau Kostka's tile panels.
The stage developed at the National Tile Museum (MNAz), between September 18, 2017 and March 1, 2018, aimed to learn the methods of conservation and restoration applied to tiles and the development of historical research on an intervened set - the series of St. Stanislaus Kostka of the Society of Jesus. The series belongs to the cladding produced in the middle of the eighteenth century for the domestic chapel of the former Novitiate of this religious family which had been deposited in the Museum in the year 2000. This report gives us an account of the learning of these methods and the research that took place during the six months of the internship. The report structure also reflects not a linear division of each of these phases, but rather the integration of all of them into the final outcome of the study. The aim was to combine historical research with conservation and restoration treatments according to the methodologies inherent to the respective domains. Our thematic organization results, therefore, from this synthesis, thus exposing the issues that in our view have proved most significant for the knowledge of S. Estanislau Kostka's tile panels.
Descrição
Palavras-chave
Arroios Santo Estanislau Kostka Noviciado Capela Doméstica do Noviciado de Arroios Companhia de Jesus Lisboa Azulejaria do XVIII Conservação e Restauro Cripto-História da Arte Society of Jesus Lisbon Novitiate Saint Stanislaus Kostka Conservation and Restoration Crypto-History of Art