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Não maltrate, contrate! - A exclusão de Imigrantes no Funk em Portugal
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O presente trabalho de projeto analisa a presença e o desenvolvimento do funk brasileiro em Lisboa. Partindo da compreensão do funk como uma manifestação cultural originária das periferias urbanas brasileiras e historicamente associada a processos de estigmatização racial e social, o estudo procura compreender de que forma este gênero musical tem sido apropriado, transformado e negociado no espaço cultural lisboeta. O enquadramento teórico aborda o funk enquanto expressão de resistência cultural, construção identitária e produção de comunidade, dialogando com debates sobre marginalização cultural, circulação transnacional de música popular e dinâmicas de poder no campo cultural. Apesar do aumento da popularidade do funk, o trabalho identifica tensões relevantes, nomeadamente a persistência de processos de exclusão e apropriação cultural. Como componente prática do projeto, foi desenvolvido um documentário audiovisual que procura dar visibilidade à cena funkeira lisboeta a partir da perspetiva dos seus próprios protagonistas. Através destes testemunhos, o documentário aborda temas como a construção de comunidade em torno do funk, os desafios burocráticos enfrentados pelos organizadores de eventos, a relação com as autoridades e as dificuldades de inserção do género no circuito cultural dominante.
This project analyzes the presence and development of Brazilian funk in Lisbon. Starting from an understanding of funk as a cultural expression originating in Brazil’s urban peripheries and historically associated with processes of racial and social stigmatization, the study seeks to understand how this musical genre has been appropriated, transformed, and negotiated within Lisbon’s cultural landscape. The theoretical framework approaches funk as an expression of cultural resistance, identity formation, and community building, engaging with debates on cultural marginalization, the transnational circulation of popular music, and power dynamics within the cultural field. Despite the growing popularity of funk, the study identifies significant tensions, particularly the persistence of processes of exclusion and cultural appropriation. As a practical component of the project, an audiovisual documentary was developed to give visibility to Lisbon’s funk scene from the perspective of its own protagonists. Through these testimonies, the documentary addresses themes such as community building around funk, the bureaucratic challenges faced by event organizers, relationships with authorities, and the difficulties of integrating the genre into the dominant cultural circuit.
This project analyzes the presence and development of Brazilian funk in Lisbon. Starting from an understanding of funk as a cultural expression originating in Brazil’s urban peripheries and historically associated with processes of racial and social stigmatization, the study seeks to understand how this musical genre has been appropriated, transformed, and negotiated within Lisbon’s cultural landscape. The theoretical framework approaches funk as an expression of cultural resistance, identity formation, and community building, engaging with debates on cultural marginalization, the transnational circulation of popular music, and power dynamics within the cultural field. Despite the growing popularity of funk, the study identifies significant tensions, particularly the persistence of processes of exclusion and cultural appropriation. As a practical component of the project, an audiovisual documentary was developed to give visibility to Lisbon’s funk scene from the perspective of its own protagonists. Through these testimonies, the documentary addresses themes such as community building around funk, the bureaucratic challenges faced by event organizers, relationships with authorities, and the difficulties of integrating the genre into the dominant cultural circuit.
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Funk Marginalização do funk Periferia Lisboa Marginalization of Funk Periphery Lisbon