A carregar...
Publicação
Estudo sobre dois processos de encenação de Natália Luiza (Teatro Meridional)
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 4.13 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
Estudo que investiga, analisa, e documenta os processos de encenação Dona Rosinha, a Solteira ou A Linguagem das Flores de Federico Garcia Lorca (em 2018) e Histórias de LX (em 2019) produzindo uma reflexão a partir do lugar de assistente de encenação. Este posicionamento de assistente de encenação possibilitou, a partir da colaboração, participação e acompanhamento in situ, analisar estes dois espectáculos encenados por Natália Luiza, co-directora do Teatro Meridional que, juntamente com Miguel Seabra, assume a direcção artística desta companhia. Este estudo procura produzir um documento que reunirá uma análise reflexiva dos processos de criação e composição teatral. Partindo da observação participante, procuraremos registar as diversas fases de criação, dramaturgia, composição e montagem dos espectáculos e elaborar um estudo de caso que permita dar conta das particularidades de cada fase e processo, das semelhanças e diferenças entre os dois processos, a sua práxis particular, e procurar encontrar modelos operativos que possam ajudar a clarificar lugares comuns e pontos de partida para a construção do acontecimento cénico. A análise do espectáculo ou o resultado final não serão aqui matéria central desta reflexão, cujo núcleo são as próprias dinâmicas processuais destas criações artísticas. Como ressonância da experiência prática e dos materiais de trabalho, notas de campo mas também da memória desses processos que foram sendo recolhidas e reunidas no decorrer deste estudo, procuraremos elaborar as possibilidades de sentido que nos permitam validar a ideia da construção de “poema cénico” como poiésis nos processos de encenação que servem de estudo a esta dissertação. A dissertação será abordada a partir da relação de três linhas orientadoras: uma sobre o processo de Dona Rosinha, a Solteira, outra sobre Histórias de LX e uma terceira que procurará enquadrar e estabelecer relações entre os dois processos através do estudo crítico destes dois objectos, levantando hipóteses e dando nota de factos e decisões que nos possibilitem entender de que forma estes dois projectos desenvolvem e exploram a ideia de “poema cénico”. No cruzamento dessas linhas, iremos abordar a composição e a dramatúrgica como operacionalização e organização das práticas cénicas,.
This thesis investigates, analyses and provides documentation on the theatrical staging processes of Dona Rosinha, a Solteira ou A Linguagem das Flores, by Federico Garcia Lorca (2018) and Histórias de LX (in 2019) producing reflections from the staging assistant perspective. The staging assistant role comprised in situ collaboration and a profound involvement in the staging processes of these shows directed by Natália Luiza, co-director of Teatro Meridional in Lisbon. Natália Luiza shares the artistic direction of Teatro Meridional with Miguel Seabra. This investigation aims to include in a written paper both an analysis of and a reflection on creative and composition processes in theatre. From an active participant point of view, we will endeavour to register the diverse creative phases, dramaturgy, composition and setting-up of the shows. By means of o a case study, we will try to register the singularities of each phase in both staging processes, their individual praxis and also search for operative models that could allow to identify common areas and practices in the composition of the theatrical event. This reflection will not include an analysis of the theatre shows that resulted from these staging processes, but the procedural dynamics of their conception. Detailed records of the creative processes and comprehensive field notes were collected and later compiled to provide support to this investigation. Through the analysis of this material, we will also search for traces or elements of the concept of “poema cénico” imbedded in the theatrical staging processes that are being examined. This dissertation will be based upon the corelation between three guiding lines: the analysis of staging processes of Dona Rosinha, a Solteira, the analysis of the staging process of Histórias de LX and finally the search for links and corelations between these processes in light of the aspirational creation of a poetic atmosphere in the scene, i.e. “poema cénico”. By intersecting these guiding lines, we will investigate the dramaturgy and staging composition as a tool for the implementation and organization of the scenic practices.
This thesis investigates, analyses and provides documentation on the theatrical staging processes of Dona Rosinha, a Solteira ou A Linguagem das Flores, by Federico Garcia Lorca (2018) and Histórias de LX (in 2019) producing reflections from the staging assistant perspective. The staging assistant role comprised in situ collaboration and a profound involvement in the staging processes of these shows directed by Natália Luiza, co-director of Teatro Meridional in Lisbon. Natália Luiza shares the artistic direction of Teatro Meridional with Miguel Seabra. This investigation aims to include in a written paper both an analysis of and a reflection on creative and composition processes in theatre. From an active participant point of view, we will endeavour to register the diverse creative phases, dramaturgy, composition and setting-up of the shows. By means of o a case study, we will try to register the singularities of each phase in both staging processes, their individual praxis and also search for operative models that could allow to identify common areas and practices in the composition of the theatrical event. This reflection will not include an analysis of the theatre shows that resulted from these staging processes, but the procedural dynamics of their conception. Detailed records of the creative processes and comprehensive field notes were collected and later compiled to provide support to this investigation. Through the analysis of this material, we will also search for traces or elements of the concept of “poema cénico” imbedded in the theatrical staging processes that are being examined. This dissertation will be based upon the corelation between three guiding lines: the analysis of staging processes of Dona Rosinha, a Solteira, the analysis of the staging process of Histórias de LX and finally the search for links and corelations between these processes in light of the aspirational creation of a poetic atmosphere in the scene, i.e. “poema cénico”. By intersecting these guiding lines, we will investigate the dramaturgy and staging composition as a tool for the implementation and organization of the scenic practices.
Descrição
Palavras-chave
Encenação Natália Luiza Teatro Meridional Práticas Cénicas Dramaturgia Composição Montagem Processo criativo Theatrical Staging Scenic Practices Dramaturgy Composition Stage Setting-up Creative Process