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Onde? Como? Quanto? Quando? - a produção musical nos primórdios da Radiotelevisão Portuguesa (1956-1964)
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Esta tese consiste numa abordagem etnomusicológica da produção musical nos
primórdios da televisão em Portugal, de 1956 a 1964. Enquadrada no período do Estado Novo,
procura compreender o modus operandi da criação de conteúdos musicais na Radiotelevisão
Portuguesa (RTP) numa perspetiva interna, analisando o trabalho desenvolvido na estrutura da
empresa, e externa, observando a sua relação com o meio cultural, social e político, nacional e
internacional.
Foca-se nos programas produzidos pela RTP com a presença dos músicos no momento
da ação, transmitidos em direto ou em diferido. Inclui também programas produzidos fora do
âmbito televisivo, tais como teatro, cinema ou publicidade.
A análise da documentação interna da RTP, da imprensa escrita, da legislação, bem
como os dados recolhidos em entrevistas realizadas a profissionais da empresa em funções na
época, dotam a presente investigação de um corpus documental vasto, diversificado e
importante para o enquadramento e compreensão da temática em análise.
A partir de uma perspetiva etnográfica, indispensável devido à ausência de imagens em
movimento da época, a análise documental permitiu conhecer a programação musical
televisiva: músicos, reportórios, horários, duração e classificação dos programas. A
reconstituição das grelhas de programação permitiu conhecer a presença musical nos ecrãs,
demonstrando que só uma visão abrangente possibilita o conhecimento das influências a que
este tipo de trabalho criativo estava sujeito.
A metodologia seguida - que se pretende interdisciplinar abarcando a etnomusicologia
histórica, a sociologia, os estudos televisivos e os estudos dos media – na reconstituição da
programação musical e na análise do modus operandi da produção, expõe uma série de dados
importantes não só para compreender o trabalho de construção de conteúdos televisivos
associados à música, como o meio musical em Portugal nas suas diversas dimensões; demonstra
que o conhecimento da produção musical televisiva é indispensável para a compreensão da
música em Portugal na segunda metade do século XX.
This is an ethnomusicological approach to music production in the television context of the early days of television in Portugal, from 1956 to 1964. Framed in the period of Estado Novo, it seeks to understand the modus operandi of the creation of musical contents in Portuguese Radiotelevision (RTP), both from an internal perspective, analysing the work developed within the company structure, and external, observing its relation with the cultural environment, in its social and political, national and international dimensions. The present investigation focuses mainly on RTP’s programs with the presence of the musicians at the time of the action, broadcast live or pre-recorded. It also includes programs produced outside the television sphere, such as theater, cinema or advertising. The analysis of RTP’s internal documentation, of the written press, legislation, as well as data collected in interviews with professionals of the company in office at the time, endow this investigation of a vast and important documentary corpus for framing and understanding the thematic under analysis. From an ethnographic perspective, mandatory due to the absence of moving images of the time, documental analysis allowed to know the musical programming: musicians, repertoires, schedules, duration and classification of programs. The reconstitution of the programming grids allowed to know the musical presence in the screens, showing that only a comprehensive view allows the understanding of the influences to which this type of creative work was subject. The methodology followed - intended to be interdisciplinary, encompassing historical ethnomusicology, sociology, television studies and media studies – in the reconstitution of musical programming and analysing the modus operandi of the production, presents a series of important data which allow for new insights both regarding the work of building television content associated with music and the musical medium in its various dimensions. It demonstrates that the knowledge of television musical production is indispensable for the understanding of music in Portugal in the second half of the twentieth century.
This is an ethnomusicological approach to music production in the television context of the early days of television in Portugal, from 1956 to 1964. Framed in the period of Estado Novo, it seeks to understand the modus operandi of the creation of musical contents in Portuguese Radiotelevision (RTP), both from an internal perspective, analysing the work developed within the company structure, and external, observing its relation with the cultural environment, in its social and political, national and international dimensions. The present investigation focuses mainly on RTP’s programs with the presence of the musicians at the time of the action, broadcast live or pre-recorded. It also includes programs produced outside the television sphere, such as theater, cinema or advertising. The analysis of RTP’s internal documentation, of the written press, legislation, as well as data collected in interviews with professionals of the company in office at the time, endow this investigation of a vast and important documentary corpus for framing and understanding the thematic under analysis. From an ethnographic perspective, mandatory due to the absence of moving images of the time, documental analysis allowed to know the musical programming: musicians, repertoires, schedules, duration and classification of programs. The reconstitution of the programming grids allowed to know the musical presence in the screens, showing that only a comprehensive view allows the understanding of the influences to which this type of creative work was subject. The methodology followed - intended to be interdisciplinary, encompassing historical ethnomusicology, sociology, television studies and media studies – in the reconstitution of musical programming and analysing the modus operandi of the production, presents a series of important data which allow for new insights both regarding the work of building television content associated with music and the musical medium in its various dimensions. It demonstrates that the knowledge of television musical production is indispensable for the understanding of music in Portugal in the second half of the twentieth century.
Descrição
Palavras-chave
Televisão Produção Musical Radiotelevisão Portuguesa Estado Novo Programação Musical Television Music Production Portuguese Radiotelevision Estado Novo Music Programming