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Publicação
Desabrochando uma rosa de um rocket
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Autores
Orientador(es)
Resumo(s)
This work seeks to understand, through the artwork of Gonçalo Mabunda, as the Maputo Art Center carries out a ‘recycling’ and reproduction of war icons in order to create an entire identity production based on historical memory. I lean over on how sculptures can make room to a place of memory injunction allowing the negotiation of meanings and mnemonics associated with the Civil War, mirroring counter-memories strained by the artist’s personal experience. It analyzes the expressive and symbolic capacity of sculptural-performative language as communicator of social and political meanings, and as a form of mise-en-scene of “social drama”.
Descrição
UID/ANT/04038/2013
Palavras-chave
Sculpture Performance Resistance Memory
Contexto Educativo
Citação
Editora
Centro de Investigação e Estudos em Belas-Artes (CIEBA) da Faculdade de Belas-Artes da Universidade de Lisboa