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Contadores de histórias: a performance como construção da imaginação
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A presente investigação trata do acompanhamento do processo de profissionalização
da narração oral em território português a partir de uma perspectiva performática, que busca
reconhecer o estabelecimento de uma nova prática artística e suas características enquanto
atividade profissional nos centros urbanos.
A etnografia conta com a participação direta de quatro narradores orais, além do
registro de diferentes performances, festivais e entrevistas com profissionais e também
membros da assistência. Acompanhar um processo cultural como este significa refletir sobre
o processo comunicativo e o estabelecimento de relações sociais no mosaico urbano, além de
retratar as expressões de criatividade e agencialidade dos indivíduos frente à tradição. Sendo
o limite uma zona de interface, é exatamente nele que se desenvolvem questionamentos
acerca da dialética entre o tradicional e o inovador; o coletivo e o individual.
Ouvir e contar histórias, a nível profissional ou não, configura uma forma de nos
posicionarmos no mundo, assim como de estabelecermos referenciais e resgatarmos parte da
memória coletiva. O retrato deste processo de criação e resgate é o produto desta pesquisa
antropológica.
This research aims to investigate the process of profissionalization in storytelling in Portugal from a performance perspective in order to recognize the establishment of a new artistic practice and its characteristics as a professional activity within urban areas. The ethnography is based on the interaction and work with four professional storytellers, besides several performances, festivals and interviews with other artists and public. To follow a cultural process such as this means to reflect upon the communicative process and the establishment of social relations in urban areas, as well as portraying expressions of creativity and agency of individuals facing tradition. Since the limit is always an interface area, it is there where questionings concerning the dialetics between traditions and innovations, individual and collective lie. Listening and telling stories, at a professional level or not, is a way of positioning ourselves in the world the same way to establish references and restore parts of our social memory. The portray of this process of creation and redemption is the product of this anthropological research.
This research aims to investigate the process of profissionalization in storytelling in Portugal from a performance perspective in order to recognize the establishment of a new artistic practice and its characteristics as a professional activity within urban areas. The ethnography is based on the interaction and work with four professional storytellers, besides several performances, festivals and interviews with other artists and public. To follow a cultural process such as this means to reflect upon the communicative process and the establishment of social relations in urban areas, as well as portraying expressions of creativity and agency of individuals facing tradition. Since the limit is always an interface area, it is there where questionings concerning the dialetics between traditions and innovations, individual and collective lie. Listening and telling stories, at a professional level or not, is a way of positioning ourselves in the world the same way to establish references and restore parts of our social memory. The portray of this process of creation and redemption is the product of this anthropological research.
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Palavras-chave
História oral Contadores de histórias; Narração oral profissional Performance oral; Práticas artísticas Arte verbal Storytellers Professional storytelling Oral performance Artistic practice Verbal art