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Saramago: Escrever, Interromper. Narrativas breves de José Saramago: problemáticas de um lugar discursivo
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Orientador(es)
Resumo(s)
A interrupção enquanto presença, falta e pertença de um texto que, todavia, não se deixa
fixar, classificar ou apreender. Fonte e, simultaneamente, matéria-prima privilegiada de
um lugar de escrita onde a interrogação é constante e onde não há espaço para respostas.
Assim se suspende um tempo, assim se presentifica um passado, assim se permite José
Saramago testemunhar, que o mesmo será dizer, ficcionar. Circunstancial, subtil e hábil,
o texto de José Saramago, nas suas narrativas breves – crónicas e contos – é, não apenas,
todo o texto de uma obra, mas a grande ferramenta literária do autor para provocar
brechas, rupturas, suspensões de juízo. Fragmento que estilhaça, a interrupção será,
certamente, problema a merecer estudo aprofundado, no mapa que cruza literatura e
filosofia.
Interruption as a presence, an absence and a text’s assignment that, however, doesn’t allow itself to get fixed, classified or apprehended. The source and, simultaneously, the privileged body of a writing place where interrogation is ceaselessly and where there is no place for answers, interruption leads us to time suspension, to a time where the past comes to the present, a time for José Saramago to testify, which means, to portray. Circumstantial, subtle and skilfull, José Saramago’s text in his short narratives, is not only the all of a literary work, but his first literary tool to provoke breaches, ruptures and judgment suspensions. Shattering fragment, interruption certainly deserves a deepen studies, in the map that intersects literature and philosophy.
Interruption as a presence, an absence and a text’s assignment that, however, doesn’t allow itself to get fixed, classified or apprehended. The source and, simultaneously, the privileged body of a writing place where interrogation is ceaselessly and where there is no place for answers, interruption leads us to time suspension, to a time where the past comes to the present, a time for José Saramago to testify, which means, to portray. Circumstantial, subtle and skilfull, José Saramago’s text in his short narratives, is not only the all of a literary work, but his first literary tool to provoke breaches, ruptures and judgment suspensions. Shattering fragment, interruption certainly deserves a deepen studies, in the map that intersects literature and philosophy.
Descrição
Palavras-chave
Suspensão Dissenso Brecha Contingência Intervalo Testemunho Contaminação Continuidade Descontinuidade Interrupção Suspension No consensus Breache Circumstantial Break Testimony Contamination Continuity Lack of continuity interruption