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(In)surgir com Tita Mavilha: arte e corporeirade política de ser mulher trans-imigrante
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Este trabalho tem como objetivo apresentar a literacia do trabalho etnográfico realizado com a artista Tita Maravilha, mulher trans-travesti, brasileira residente em Lisboa, entre outras subjetividades e interseccionalidades (ou ainda, como problematiza Ocry Curiel, coalisões políticas), realizado entre os anos de 2020, 2021 e parte de 2022. Através de uma etnografia experimental colaborativa, pretende-se refletir e contar sobre as potências das dissidências e interseccionalidades de Tita e seu entorno/rede. Pensando estes cruzamentos do ponto de vista de pesquisa e do ponto de vista político/ativista. Do ponto de vista de pesquisa, importante porque remete para uma vulnerabilidade ainda pouco recorrente na produção do saber em Portugal, quando se propõe a autocrítica da colonialidade do saber. Do ponto de vista político, porque registra a história de uma mulher trans enquanto viva, realizando um trabalho ativo de questionamentos contra transfobia, xenofobia, limitação de afetos impostos pela cisgeneridade, bem como de classe em um país estrangeiro, através da arte e da cultura. Em suma, promoção da reflexão acerca de mudanças sociais, através da cultura. Para cumprir esta proposta, a pesquisa divide-se em dois momentos de diálogo. Primeiro, propõe-se a exercitar uma metodologia feminista decolonial e entender como esta pode ser realizada. Segundo, compreendendo o impacto que o trabalho artivista em questão representa para a sociedade na qual está inserida e como este trabalho é construído com as questões tão pessoais da agente interlocutora, bem como universais, porque diz sobre muitas agentes do mesmo grupo descrito, o que também acaba por ser o resultado de uma conclusão final do trabalho.
This work intends to present the literacy of the ethnographic work made together with the artist Tita Maravilha, trans-travesti woman, brazilian, based in Lisbon, and other subjectivities and intersectionalities (or as Ocry Curiel problematizes, political coalitions), carried out between 2020, 2021 and part of 2022. With an experimental collaborative ethnography, it is intended to categorize the dissidences and intersectionalities of Tita and her network and surroundings. These reflections are fundamental from the research and political/activist point of view. From a research point of view, because it refers to a vulnerability that is not yet recurrent in the production of knowledge, and from a political point of view, because it records the history of a trans woman while alive, carrying out an active work of questioning against transphobia, xenophobia, limitation of affects imposed by cisgenders, as well as class. To fulfill this proposal, the research is divided into two moments of dialogue. First, it proposes to exercise a decolonial feminist methodology and understand how it can be carried out. Second, understanding the impact that the artivist work in question represents for the society in which it is inserted and how this work is built with issues that are so personal to the interlocutor, as well as universal because it says about many women of the same described group, which actually we could also understand as a conclusion of this work.
This work intends to present the literacy of the ethnographic work made together with the artist Tita Maravilha, trans-travesti woman, brazilian, based in Lisbon, and other subjectivities and intersectionalities (or as Ocry Curiel problematizes, political coalitions), carried out between 2020, 2021 and part of 2022. With an experimental collaborative ethnography, it is intended to categorize the dissidences and intersectionalities of Tita and her network and surroundings. These reflections are fundamental from the research and political/activist point of view. From a research point of view, because it refers to a vulnerability that is not yet recurrent in the production of knowledge, and from a political point of view, because it records the history of a trans woman while alive, carrying out an active work of questioning against transphobia, xenophobia, limitation of affects imposed by cisgenders, as well as class. To fulfill this proposal, the research is divided into two moments of dialogue. First, it proposes to exercise a decolonial feminist methodology and understand how it can be carried out. Second, understanding the impact that the artivist work in question represents for the society in which it is inserted and how this work is built with issues that are so personal to the interlocutor, as well as universal because it says about many women of the same described group, which actually we could also understand as a conclusion of this work.
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Corpo Género Transexualidade Artivismo Decolonial Travesti Trans Performance Artivism Immigration