A carregar...
Publicação
Outro Cinema - Interpelações na Arte Contemporânea em Portugal
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 91.58 MB | Adobe PDF |
Orientador(es)
Resumo(s)
Considerando as transformações contemporâneas nas estruturas de produção, distribuição e recepção de imagens, o modo de ver cinema desviou-se do singular para se conceber cada vez mais no plural. Trata-se assim de um alargamento da concepção de cinema, que se ausenta do seu modelo hegemónico, institucionalizado e codificado de ser e ver para se reinventar em outros tipos de percepção, duração, projecção, intensidades e relações perceptivas com os espectadores. Evidenciando uma série de tensões e indefinições inerentes ao carácter mutável e heterogéneo do cinema, a investigação OUTRO CINEMA – Interpelações na Arte Contemporânea em Portugal procura problematizar a sua circunstância identitária expandida e pós medial, propondo uma reflexão sobre a forma como a arte contemporânea se transformou num espaço central para interrogar certas transformações cinematográficas das últimas décadas. Pretende-se portanto considerar a forma como a arte imaginou o cinema enquanto meio e experiência através do trabalho de um conjunto de artistas portugueses que, durante o século XXI, trabalharam sobre o cinema através de quatro elementos essenciais – a problematização do ecrã; o atavismo pós-cinematográfico; as formas intermediais entre formatos; e, as imagens de arquivo.
Considering the contemporary transformations in the structures of production, distribution and reception of images, the way of seeing cinema has deviated from the singular to be conceive more and more in the plural. It is thus an enlargement of the concept of cinema, which is absent from its hegemonic, institutionalized and codified model of being and seeing to reinvent itself in other types of perception, duration, projection, intensities and perceptual relationships with the spectators. Evidencing a series of tensions and ambiguities involved in the mutable and heterogeneous nature of cinema, the thesis OTHER CINEMA – Interpellations in Contemporary Art in Portugal seeks to problematize the circumstance of cinema in its current expanded and post-medial condition, proposing a reflection on how contemporary art has become a central place to question the cinematographic transformations that happen in the recent decades. This research focuses on the work of a group of Portuguese artists who worked about cinema in the 21st century through four essential elements – the problematization of the screen; the post-cinematic atavism; the intermediality between formats; and, the archive’s images.
Considering the contemporary transformations in the structures of production, distribution and reception of images, the way of seeing cinema has deviated from the singular to be conceive more and more in the plural. It is thus an enlargement of the concept of cinema, which is absent from its hegemonic, institutionalized and codified model of being and seeing to reinvent itself in other types of perception, duration, projection, intensities and perceptual relationships with the spectators. Evidencing a series of tensions and ambiguities involved in the mutable and heterogeneous nature of cinema, the thesis OTHER CINEMA – Interpellations in Contemporary Art in Portugal seeks to problematize the circumstance of cinema in its current expanded and post-medial condition, proposing a reflection on how contemporary art has become a central place to question the cinematographic transformations that happen in the recent decades. This research focuses on the work of a group of Portuguese artists who worked about cinema in the 21st century through four essential elements – the problematization of the screen; the post-cinematic atavism; the intermediality between formats; and, the archive’s images.
Descrição
Palavras-chave
Cinema Expandido Arte Contemporânea Portuguesa Estéticas Pós-Mediais Cinema e arte Ecrã Atavismo pós-cinematográfico Intermedialidade Arquivo Cinema and art Portuguese contemporary art Screen Post-cinematic atavism Intermediality Archive