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Publicação
Vistas do Oriente – Território imaginado: Fotografia vernacular e mediação do orientalismo no Séc. XIX
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– Esta pesquisa busca refletir sobre fotografias vernaculares do século XIX, com o propósito de explorar questões suscitadas pela sua mediação na construção do olhar ocidental sobre o Oriente Médio. Procura também descrever o impacto cultural que a prática fotográfica e essas imagens produziram nas relações sociais e culturais entre as duas civilizações. Apoia-se na análise conjunta das 181 imagens dos álbuns Vistas do Oriente I e II, encontrados na Fazenda Santa Maria do Monjolinho, interior do estado de São Paulo/Brasil, empregando fundamentos teóricos e metodológicos da antropologia visual. O trabalho avalia os recursos materiais e intelectuais utilizados pela fotografia na tarefa de viabilizar e ampliar a visão colonialista do mundo representada pelo orientalismo. Relaciona o papel mediador — representativo e interpretativo — da fotografia na criação do Outro oriental. E aborda a maneira como o orientalismo transferiu-se e reproduziu a si mesmo articulado pela visão dos fotógrafos.
– This study intends to reflect on 19th century vernacular photographs, aiming to explore the issues raised by their mediation in the construction of the Western point of view on the Middle East. It also seeks to describe the cultural impact that the photographic practice and these images produced in social and cultural relations between the two civilizations. My starting point will be to consider, together, the 187 images from the albums Vistas do Oriente I and II, discovered at Fazenda Santa Maria do Monjolinho, in the interior of the state of São Paulo / Brazil, using theoretical and methodological fundamentals of visual anthropology. This research addresses the material and intellectual resources used by photography in the task of enabling and expanding the colonialist vision of the world represented by the Orientalism. It lists the mediating role — interpretive and representative — of photography in the creation of the Oriental Other. Takes into account how didOrientalism transfer and reproduce itself articulated by the photographers' vision.
– This study intends to reflect on 19th century vernacular photographs, aiming to explore the issues raised by their mediation in the construction of the Western point of view on the Middle East. It also seeks to describe the cultural impact that the photographic practice and these images produced in social and cultural relations between the two civilizations. My starting point will be to consider, together, the 187 images from the albums Vistas do Oriente I and II, discovered at Fazenda Santa Maria do Monjolinho, in the interior of the state of São Paulo / Brazil, using theoretical and methodological fundamentals of visual anthropology. This research addresses the material and intellectual resources used by photography in the task of enabling and expanding the colonialist vision of the world represented by the Orientalism. It lists the mediating role — interpretive and representative — of photography in the creation of the Oriental Other. Takes into account how didOrientalism transfer and reproduce itself articulated by the photographers' vision.
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Palavras-chave
Fotografia vernacular Antropologia visual Orientalismo Imagem Fotografia Arquivo Semiótica social Photography Vernacular photography Visual anthropology Orientalism Image Archive Social semiotics