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Corpus Inscriptionum: Mergulhadores de Corumbau
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Esta pesquisa teve como objetivo investigar e aprender com os mergulhadores de apneia da Reserva Extrativista Marinha do Corumbau-BA, localizada no Banco de Abrolhos, Brasil; sobre as práticas e transformações da caça subaquática, frente aos desafios impostos pelo aquecimento global, às mudanças climáticas e aos desastres ambientais ocorridos no ano de 2019; nomeadamente o branqueamento dos corais (Duarte, et al., 2020), e o derramamento misterioso de petróleo cru no ambiente (Soares, et al., 2020). A componente fílmica deste trabalho, além de ferramenta fundamental na construção da narrativa, pretende comunicar sobre uma realidade pouco visível: o mundo subaquático em suas interações de vida, observado sob a linha d’água. Chamo esta malha social existente entre os elementos humanos e não humanos de “Sistema Coral”. Assim, os recifes de coral e as relações sociais estabelecidas entre as espécies, tornam-se o fio condutor desta abordagem, visando clarificar as interações sociais da malha em seus efetivos laços de apoio, perturbação e sustentabilidade. A partir do método etnográfico, proponho o uso das imagens como ferramenta central e articuladora, de forma a dar espaço ao “cruzamento de perspectivas culturais” (MacDougall 1997), onde a composição das vozes foi criando o conteúdo. A câmara segue as linhas de vida, em busca do encontro dos elementos e dos materiais. Pretendi gerar conteúdo polifônico, por meio da captação de imagem e voz, sobre o conhecimento empírico associado à pesca submarina, e ensinado por meio da prática e da observação cotidiana. Para dar conta da diversidade de detalhes e complexos imbricados de vidas e materiais relacionados a esta etnografia, proponho a utilização do sistema coral, como uma janela de observação, para compreender o impacto das alterações climáticas `a escala local proposta.
This research aimed to investigate and learn with underwater divers from the Marine Extractive Reserve of Corumbau, located in the Banco de Abrolhos, (Bahia-Brazil); on the practices and transformations of underwater hunting, given the challenges posed by global warming, climate change and environmental disasters that occurred in 2019; namely coral bleaching (Duarte, et al., 2020), and the mysterious spill of crude oil into the environment (Soares, et al., 2020). The filmic component of this work, in addition to being a fundamental tool in the construction of the narrative, intends to communicate about a barely visible reality: the underwater world in its life interactions, observed under the waterline. I call this social mesh that exists between the human and non-human elements the “Coral System”. Thus, coral reefs and the social relationships established between species, become the guiding principle of this approach, aiming to clarify the social interactions of the mesh in their effective ties of support, disturbance, and sustainability. From the ethnographic method, I propose the use of images as a central and articulating tool, to give space to the “crossing of cultural perspectives” (MacDougall 1997), where the composition of the voices created the content. The camera follows the lines of life, in search of the meeting of elements and materials. With this, I intended to generate polyphonic content, through image and voice capture, about the empirical knowledge associated with underwater fishing, and taught through daily practice and observation. To account for the diversity of details and complex intertwined lives and materials related to this ethnography, I propose the use of the coral system, as an observation window, to understand the impact of climate change on the proposed local scale.
This research aimed to investigate and learn with underwater divers from the Marine Extractive Reserve of Corumbau, located in the Banco de Abrolhos, (Bahia-Brazil); on the practices and transformations of underwater hunting, given the challenges posed by global warming, climate change and environmental disasters that occurred in 2019; namely coral bleaching (Duarte, et al., 2020), and the mysterious spill of crude oil into the environment (Soares, et al., 2020). The filmic component of this work, in addition to being a fundamental tool in the construction of the narrative, intends to communicate about a barely visible reality: the underwater world in its life interactions, observed under the waterline. I call this social mesh that exists between the human and non-human elements the “Coral System”. Thus, coral reefs and the social relationships established between species, become the guiding principle of this approach, aiming to clarify the social interactions of the mesh in their effective ties of support, disturbance, and sustainability. From the ethnographic method, I propose the use of images as a central and articulating tool, to give space to the “crossing of cultural perspectives” (MacDougall 1997), where the composition of the voices created the content. The camera follows the lines of life, in search of the meeting of elements and materials. With this, I intended to generate polyphonic content, through image and voice capture, about the empirical knowledge associated with underwater fishing, and taught through daily practice and observation. To account for the diversity of details and complex intertwined lives and materials related to this ethnography, I propose the use of the coral system, as an observation window, to understand the impact of climate change on the proposed local scale.
Descrição
Palavras-chave
Pesca artesanal Mergulho de apneia Reserva extrativista Mergulho subaquático Filme etnográfico Comunidades piscatórias Banco de Abrolhos Alterações climáticas Oceano Recifes de coral Underwater diving Ethnographic film fishing communities Abrolhos Marine Bank Climate change Ocean Coral reef