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Ranchos Folclóricos na Nazaré: Permanências e Rupturas
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A Nazaré, um local único desde a sua topografia à sua história e celebrações, é uma vila piscatória situada na costa portuguesa, e onde o turismo se tornou numa importante indústria. Aí, tradições muito vincadas são decisivas para o processo de construção de identidades locais. Ao longo das últimas décadas, foram produzidas diferentes representações do folclore e da identidade nazarenas. Como é que se caracteriza a relação entre estas representações, as tradições da vila, e os agentes locais? Quais são as principais ideias e objectos por trás desta identidade construída e profundamente enraizada? Nesta tese de Antropologia Visual, através da utilização da escrita e da imagem, proponho analisar alguns destes discursos. Por um lado, utilizando uma abordagem diacrónica, estudei representações externas, como livros, filmes e fotografias. A presente tese aborda a imagem simultaneamente como objecto de estudo e ferramenta metodológica, tendo utilizado a câmara de filmar e produzido uma curta metragem para melhor compreender a visualidade e outros sentidos intensos do local e dos seus habitantes, bem como da sua música, trajes, danças, objectos e memórias. Por outro lado, através do método etnográfico, foi possível aceder a representações internas com membros activos da comunidade e de grupos folclóricos. As danças tradicionais, o traje e a música, imortalizados em objectos artísticos e debatidos em bibliografia académica, são ainda hoje importantes e discutidos no terreno. Estas práticas e discursos são adaptados e evoluem, gerando assim diferentes opiniões e atestando a agência e eterna criatividade dos interlocutores locais.
Nazaré, a unique place from its topography to its history and celebrations, is a fishing town located on the Portuguese coast where tourism became a very important industry. There, strong traditions play a decisive role in local identities. Several representations were made in the past decades of its folklore and its identity. How is the relationship between the representations, the town’s traditions, and the local agents? What are the main objects and ideas behind this constructed and strongly rooted identity? In this Visual Anthropology thesis, through writing and image, I analyze some of these speeches. In one hand, using a diachronic approach I studied external representations, such as books, movies, and pictures. This thesis simultaneously approaches this subjects both with images as a study object and as a methodology, using a movie camera and making a short film to better understand the visuality and other strong senses of the place, of its inhabitants, as well of their music, costumes, dances, objects, and memories. In the other hand, through the ethnographic method was possible to have access to internal representations with active members of the community and folk groups. Traditional dances, music, and costumes, immortalized in artistic objects and discussed in academic literature, are still important today and discussed in the field. These practices and discourses are adapted and evolve, generating different opinions and proving the agency and never-ending creativity of the local agents.
Nazaré, a unique place from its topography to its history and celebrations, is a fishing town located on the Portuguese coast where tourism became a very important industry. There, strong traditions play a decisive role in local identities. Several representations were made in the past decades of its folklore and its identity. How is the relationship between the representations, the town’s traditions, and the local agents? What are the main objects and ideas behind this constructed and strongly rooted identity? In this Visual Anthropology thesis, through writing and image, I analyze some of these speeches. In one hand, using a diachronic approach I studied external representations, such as books, movies, and pictures. This thesis simultaneously approaches this subjects both with images as a study object and as a methodology, using a movie camera and making a short film to better understand the visuality and other strong senses of the place, of its inhabitants, as well of their music, costumes, dances, objects, and memories. In the other hand, through the ethnographic method was possible to have access to internal representations with active members of the community and folk groups. Traditional dances, music, and costumes, immortalized in artistic objects and discussed in academic literature, are still important today and discussed in the field. These practices and discourses are adapted and evolve, generating different opinions and proving the agency and never-ending creativity of the local agents.
Descrição
FILME visualizável em https://drive.google.com/file/d/14jOrNlhaCozzoTGt19gb7stq0PNpREB/view?usp=sharing ou em
https://www.youtube.com/watch?v=iyCarpT4CEE
Palavras-chave
Folclore Nazaré Antropologia Visual Tradição Memória Carnaval Performance Identidade Folklore Visual Anthropology Tradition Memory Carnival Identity