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Publicação
Uma certa falta de urbanidade
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Resumo(s)
This paper explores Kant's ambivalent views on music. It aims to show, on the one hand, how these ambivalences arc in line with the modem philosophical reflection on this art; on the other hand, to show their place within Kantian aesthetics, a place that justifies Kant's hesitations as whether to classify music as beautiful or agreeable, art or mere enjoyment, free or dependent beauty, culture or nature.
Descrição
UIDB/00183/2020 UIDP/00183/2020
Palavras-chave
music art language subjectivity culture