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Voir venir the New Wave

2024-10Artigo científico Acesso aberto
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dc.contributor.authorGrosoli, Marco
dc.contributor.institutionInstituto de Filosofia da NOVA (IFILNOVA)
dc.contributor.pblEdinburgh University Press
dc.date.accessioned2025-01-13T21:24:20Z
dc.date.available2025-01-13T21:24:20Z
dc.date.issued2024-10
dc.descriptionUIDB/00183/2020 UIDP/00183/2020
dc.description.abstractThis article shows that Jacques Rivette’s film criticism recalls the Hegelianism of Catherine Malabou’s formulation of plasticity in The Future of Hegel. Enlarging the scope of a previous article on Hegel’s influence on Rivette (Douglas Morrey’s “To Describe a Labyrinth”), and taking a cue from Rivette’s distinction between analytic and synthetic directors (the latter being those who work on the dialectical bond between contingency and necessity, accidents and essence, the conceptual and the sensuous and so forth), I argue that Rivette considered true auteurs only those directors capable of expressing through their films a specific kind of temporality (thus, by extension, of cinematic action) that is reminiscent of the self-dividing temporality which Malabou highlighted in her take on Hegel’s substance-subject (i.e. a temporality which already in Hegel’s own formulation subverted what Heidegger would later call, contra Hegel, “vulgar time”). This calls, among other things, for a revision of Rivette’s conception of mise-en-scène.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent23
dc.format.extent185420
dc.identifier.doi10.3366/film.2024.0280
dc.identifier.issn1466-4615
dc.identifier.otherPURE: 106200366
dc.identifier.otherPURE UUID: d30b99d3-8bb6-4ae2-bf57-d88c5c2062b0
dc.identifier.otherWOS: 001325868600003
dc.identifier.urihttp://hdl.handle.net/10362/177362
dc.identifier.urlhttps://www.euppublishing.com/doi/10.3366/film.2024.0280
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00183%2F2020/PT
dc.relationNOVA Institute of Philosophy
dc.relationNOVA Institute of Philosophy
dc.subjectPlasticity
dc.subjectAuthorship
dc.subjectCriticism
dc.subjectDialectics
dc.subjectRivette
dc.subjectMalabou
dc.subjectGeneral Arts and Humanities
dc.titleVoir venir the New Waveen
dc.title.subtitlePlasticity in Jacques Rivette’s Film Criticismen
dc.typejournal article
degois.publication.firstPage454
degois.publication.issue3
degois.publication.lastPage476
degois.publication.titleFilm-Philosophy
degois.publication.volume28
dspace.entity.typePublication
oaire.awardNumberUIDB/00183/2020
oaire.awardNumberUIDP/00183/2020
oaire.awardTitleNOVA Institute of Philosophy
oaire.awardTitleNOVA Institute of Philosophy
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00183%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00183%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication78283463-286e-42d7-8f32-b489e2ef4ae5
relation.isProjectOfPublication2a933043-2d71-42dd-af01-ec8e159e1912
relation.isProjectOfPublication.latestForDiscovery78283463-286e-42d7-8f32-b489e2ef4ae5

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