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Naples Reduced ad absurdum

2024-08-01Artigo científico Acesso aberto
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dc.contributor.authorGrosoli, Marco
dc.contributor.institutionInstituto de Filosofia da NOVA (IFILNOVA)
dc.contributor.pblUniversity of Bologna
dc.date.accessioned2025-01-13T21:24:17Z
dc.date.available2025-01-13T21:24:17Z
dc.date.issued2024-08-01
dc.descriptionUIDB/00183/2020 UIDP/00183/2020
dc.description.abstractAdapted from the first novel by Raymond Chandler’s Italian translator Attilio Veraldi, The Payoff (La mazzetta, 1978) is a relatively unusual attempt at hybridization between crime (mainly hard-boiled) fiction and comedy, made at a time when Italian cinema industry was drastically changing. My paper starts off with an analysis of the film’s adaptation strategies, then moves on to focusing in particular on the peculiar way the city of Naples appears in the film and on its implications for the private/public dichotomy explored by the film as well as by Chandler’s novels. Thereby, and by referring briefly (in order to better frame The Payoff historically) to Neapolitan Mystery (Giallo Napoletano, 1979), directed by Corbucci in the wake of The Payoff’s success, I will try to identify the film’s oblique relation to crime genre, and particularly to the hard-boiled genre Veraldi had tried to replicate in Neapolitan territory.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent9
dc.format.extent115059
dc.identifier.doi10.6092/issn.2280-9481/v13-n25-2024
dc.identifier.issn2280-9481
dc.identifier.otherPURE: 106199595
dc.identifier.otherPURE UUID: 3b968ef7-7856-4af5-b336-67e1976ff87e
dc.identifier.urihttp://hdl.handle.net/10362/177361
dc.identifier.urlhttps://cinergie.unibo.it/article/view/18814
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00183%2F2020/PT
dc.relationNOVA Institute of Philosophy
dc.relationNOVA Institute of Philosophy
dc.subjectHard-Boiled
dc.subjectNaples
dc.subjectPorosity
dc.subjectBar
dc.subjectPublic
dc.subjectGeneral Arts and Humanities
dc.titleNaples Reduced ad absurdumen
dc.title.subtitleSergio Corbucci’s La mazzetta (The Payoff, 1978)en
dc.typejournal article
degois.publication.firstPage73
degois.publication.issue25
degois.publication.lastPage81
degois.publication.titleCinergie
dspace.entity.typePublication
oaire.awardNumberUIDB/00183/2020
oaire.awardNumberUIDP/00183/2020
oaire.awardTitleNOVA Institute of Philosophy
oaire.awardTitleNOVA Institute of Philosophy
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00183%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00183%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication78283463-286e-42d7-8f32-b489e2ef4ae5
relation.isProjectOfPublication2a933043-2d71-42dd-af01-ec8e159e1912
relation.isProjectOfPublication.latestForDiscovery2a933043-2d71-42dd-af01-ec8e159e1912

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