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En este trabajo reflexiono sobre las funciones que asume el animal y la animalidad en dos textos contemporáneos mexicanos, a través del cambio de pensamiento que ha tratado de ver desde otras perspectivas lo viviente; esto es: el ―giro animal‖. Me apoyo en los textos de un pensamiento posthumanista crítico, filosófico y literario, para elaborar un cuadro teórico aplicable a estas representaciones. En el primer análisis, lo animal sirve de contrapunto para evidenciar un proceso de animalización que atraviesa la protagonista como rasgo positivo: una alianza entre lo humano y animal y, al mismo tiempo, como un dispositivo para problematizar la capacidad del cuerpo y la necesidad de la escritura. En el segundo, vemos cómo la presencia de los animales percibidos, especialmente a través de la mirada, dentro del ambiente doméstico, hace tambalear la falsa superioridad de los hombres, problematizando la línea de tensión entre instinto y razón y respuesta y reacción. Los animales al hacerse presentes como perturbadora intimidad cuestionan la vulnerabilidad de lo humano
In light of the changed perspective on life and living creatures, I reflect on the functions assumed by animals and animality in two contemporary Mexican texts, that is: ―animal turn‖. I rely on a posthumanist of critical philosophical and literary thinking to delimit the field covered by these representations. In the first analysis, the animal serves as a counterpoint to evidence a process of animalization that traverses the protagonist as a positive trait: an alliance between the human and animal and, at the same time, as a device to interrogate the capacity of the body and the need to writing. In the second, we see how the presence of animals perceived, especially through the gaze, within the domestic environment, evidence the false superiority of men, problematizing the tension line between instinct and reason and response and reaction. Animals, when understood as disturbing intimacy, interrogate the vulnerability of the human.
In light of the changed perspective on life and living creatures, I reflect on the functions assumed by animals and animality in two contemporary Mexican texts, that is: ―animal turn‖. I rely on a posthumanist of critical philosophical and literary thinking to delimit the field covered by these representations. In the first analysis, the animal serves as a counterpoint to evidence a process of animalization that traverses the protagonist as a positive trait: an alliance between the human and animal and, at the same time, as a device to interrogate the capacity of the body and the need to writing. In the second, we see how the presence of animals perceived, especially through the gaze, within the domestic environment, evidence the false superiority of men, problematizing the tension line between instinct and reason and response and reaction. Animals, when understood as disturbing intimacy, interrogate the vulnerability of the human.
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Literatura mexicana contemporânea Contemporary Mexican Literature