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Resumo(s)
This paper discusses Shakespeare’s aesthetics of blackness as a radical interpretation and response to a disputed translation of the fifth verse from the Song of Songs, casting light on the Renaissance transition from negative theology to negative capability.
Descrição
UIDB/04097/2020 UIDP/04097/2020
Palavras-chave
Aesthetics of Blackness Song of Songs 1:5 Negative Capability Caravaggio Shakespeare’s Sonnets
