Publicação
Manoel Barbosa
| dc.contributor.author | Madeira, Claudia | |
| dc.contributor.author | Oliveira, Fernando Matos | |
| dc.contributor.institution | Departamento de Ciências da Comunicação (DCC) | |
| dc.contributor.institution | Instituto de Comunicação da NOVA (ICNOVA) | |
| dc.date.accessioned | 2020-07-13T22:47:12Z | |
| dc.date.available | 2020-07-13T22:47:12Z | |
| dc.date.issued | 2019 | |
| dc.description | UID/CCI/04667/2016 | |
| dc.description.abstract | Manoel Barbosa possui um percurso singular na arte da performance em Portugal. Este artigo trata sobre o seu período formativo como artista e algumas das suas protoexperiências performativas, nomeadamente as primeiras performances realizadas em contexto colonial, que aqui são descritas e analisadas no âmbito de uma estética da resistência anticolonialista e antifascista. A glance at Manuel Barbosa’s career within Portuguese performance art shows a unique path. This paper investigates his early arts formation period and some of his performative proto-experiences by focusing on one of his earliest participatory performances within a colonial context, which will be described and analyzed from the perspective of a resistance aesthetics based on anti-colonialism and anti-fascism. | en |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 13 | |
| dc.format.extent | 955636 | |
| dc.identifier.doi | 10.11606/issn.2238-3867.v19i2p15-27 | |
| dc.identifier.issn | 2238-3867 | |
| dc.identifier.other | PURE: 18900256 | |
| dc.identifier.other | PURE UUID: 85a82d4c-a924-46f1-a7dc-e2a1e2a1925b | |
| dc.identifier.other | WOS: 000519805400003 | |
| dc.identifier.other | ORCID: /0000-0003-2346-6885/work/77189571 | |
| dc.identifier.uri | http://hdl.handle.net/10362/100818 | |
| dc.identifier.url | https://apps.webofknowledge.com/InboundService.do?product=WOS&Func=Frame&DestFail=http%3A%2F%2Fwww.webofknowledge.com&SrcApp=RRC&locale=en_US&SrcAuth=RRC&SID=E6EkwvUeFNKJJmJQGgp&customersID=RRC&mode=FullRecord&IsProductCode=Yes&Init=Yes&action=retrieve&UT=WOS%3A000519805400003 | |
| dc.language.iso | por | |
| dc.peerreviewed | yes | |
| dc.subject | Performance art | |
| dc.subject | Portuguese colonial war | |
| dc.subject | Resistance aesthetics | |
| dc.subject | Anti-fascism Anti-colonialism | |
| dc.subject | Arte da performance | |
| dc.subject | Guerra colonial | |
| dc.subject | Estética da resistência | |
| dc.subject | Anticolonialismo | |
| dc.title | Manoel Barbosa | pt |
| dc.title.alternative | Manoel Barbosaperformance, anxiety and colonial geography | en |
| dc.title.subtitle | performance, anxiety and colonial geography | pt |
| dc.type | journal article | |
| degois.publication.firstPage | 15 | |
| degois.publication.issue | 2 | |
| degois.publication.lastPage | 27 | |
| degois.publication.title | Sala Preta | |
| degois.publication.volume | 19 | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess |
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