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Looking for a Husband with a EU Passport (2000-2005)

dc.contributor.authorGonçalves, Pedro
dc.contributor.institutionFaculdade de Ciências Sociais e Humanas (FCSH)
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.contributor.pblUniversity of Algarve Research Centre for Arts and Communication
dc.date.accessioned2026-03-11T11:54:01Z
dc.date.available2026-03-11T11:54:01Z
dc.date.issued2025-09-30
dc.descriptionUID/00417/2025 https://doi.org/10.54499/UID/00417/2025
dc.description.abstractIn this article, I focus on circulation from the point of view of immigrant subjects, as well as the geographical and social barriers they encounter in their movements. The debates surrounding these issues are explored through Tanja Ostojić’s artistic project Looking for a Husband with an EU Passport (2000-2005). To this end, I adopt a methodology grounded in feminist and biopolitical theoretical frameworks. The intersection of these two fields enables a critical inquiry into how Ostojić’s artistic practice contributes to rethinking debates on citizenship and the circulation of immigrant female bodies within the European Union. Moreover, the convergence of these frameworks makes it possible to identify how her work generates performative disruptions in the power relations that constrain the mobility of certain migrant ‘bodies’. Mapping a gendered body – particularly through the cultural markers that define it – motivates its political reinscription within the systems of power it confronts. While movement entails continuous confrontation with established identity categories, it also opens up possibilities for their re-evaluation – especially in relation to the exclusions they produce. This article thus seeks to examine how Tanja Ostojić reconfigures these power relations between her migrant body and the control mechanisms of the Schengen Area.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent17
dc.format.extent478654
dc.identifier.doi10.34623/2184-8661.2025.v5i2.451
dc.identifier.issn2184-8661
dc.identifier.otherPURE: 156820383
dc.identifier.otherPURE UUID: e364a153-cade-4fdd-9aa8-6355407b0d5c
dc.identifier.otherScopus: 105019226374
dc.identifier.urihttp://hdl.handle.net/10362/201252
dc.identifier.urlhttps://www.scopus.com/pages/publications/105019226374
dc.language.isopor
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/Avaliação UID 2023%2F2024/UID%2F00417%2F2025/PT
dc.subjectBorders
dc.subjectCitizenship
dc.subjectFeminisms
dc.subjectImmigration
dc.subjectPerformativity
dc.subjectLanguage and Linguistics
dc.subjectVisual Arts and Performing Arts
dc.subjectLiterature and Literary Theory
dc.subjectSDG 10 - Reduced Inequalities
dc.titleLooking for a Husband with a EU Passport (2000-2005)pt
dc.title.alternativeLooking for a Husband with a EU passport (2000-2005)Citizenship as a barrier to circulationen
dc.title.subtitleA cidadania como barreira à circulaçãopt
dc.typejournal article
degois.publication.firstPage91
degois.publication.issue2
degois.publication.lastPage107
degois.publication.titleRotura: Journal of Communication, Culture and Arts
degois.publication.volume5
dspace.entity.typePublication
rcaap.rightsopenAccess

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