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Orientador(es)
Resumo(s)
This article discusses the provenance and emergence of hip-hop culture as a form of resistance in Guinea-Bissau. It describes a political backdrop of national instability and how contemporary Guinean hip-hop forms took their cue from 1970s New York. It discusses the political stances of Guinea's most celebrated hip-hop artists.
Descrição
UID/HIS/04666/2013
Palavras-chave
Popular music Rap Politics Nation Contemporary Africa
