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Diario de Vida

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dc.contributor.authorLamoni, Giulia
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.date.accessioned2019-04-01T22:03:29Z
dc.date.available2019-04-01T22:03:29Z
dc.date.issued2018
dc.descriptionUID/PAM/00417/2013
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent35
dc.format.extent1324903
dc.identifier.doi10.1344/%25x
dc.identifier.issn2013-8652
dc.identifier.otherPURE: 12478243
dc.identifier.otherPURE UUID: a6048c29-0825-45a7-8e33-02cd15f0dd86
dc.identifier.urihttp://revistes.ub.edu/index.php/REGAC/article/view/27417
dc.identifier.urlhttp://revistes.ub.edu/index.php/REGAC/article/view/27417
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/147368/PT
dc.subjectContemporary Art
dc.subjectMIGRATION
dc.subjectLatin America
dc.subjectartistic circulations
dc.subjectChilean art
dc.titleDiario de Vidaen
dc.title.subtitleCecilia Vicuña’s artistic practice in London (1972-1975) (A letter to Carla Macchiavello)en
dc.typejournal article
degois.publication.firstPage87
degois.publication.lastPage119
degois.publication.titleRevista de Estudios Globales y Arte Contemporáneo
degois.publication.volume5
dspace.entity.typePublication
oaire.awardNumberUID/PAM/00417/2013
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/5876/UID%2FPAM%2F00417%2F2013/PT
oaire.fundingStream5876
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicatione1ef6848-6aba-4fbf-8405-1287adb05cb0
relation.isProjectOfPublication.latestForDiscoverye1ef6848-6aba-4fbf-8405-1287adb05cb0

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