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Resumo(s)
Matias Aires’s (São Paulo, 1705-Agualva, 1763) was a prominent figure in the Portuguese and Brazilian Enlightenment. In this article, we argue that the coherence of his work stems from the way he understood the metaphysical experience of time. In the first part, we establish a kind of contradiction between the biographical path and the sequence of the vanities criticized in order to deduce this experiential philosophic ground. In a second moment, we show how it operates in Reflexões sobre a Vaidade dos Homens, his masterpiece. Finally, we conclude, identifying the presence of this same concern in the relative indecision about alternatives to the empire of vanity. Matias Aires’s (São Paulo, 1705-Agualva, 1763) was a prominent figure in the Portuguese and Brazilian Enlightenment. In this article, we argue that the coherence of his work stems from the way he understood the metaphysical experience of time. In the first part, we establish a kind of contradiction between the biographical path and the sequence of the vanities criticized in order to deduce this experiential philosophic ground. In a second moment, we show how it operates in Reflexões sobre a Vaidade dos Homens, his masterpiece. Finally, we conclude, identi-fying the presence of this same concern in the relative indecision about alternatives to the em-pire of vanity.
Descrição
UIDB/04666/2020
UIDP/04666/2020
Palavras-chave
Matias Aires Portuguese and Brazilian Enlightenment Neo-Stoicism Time Ethics Philosophy of Culture Ilustração Portuguesa e Brasileira Filosofia Moral Filosofia da Cultura Neo-Estoicismo. Tempo
