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Procedimentos transfonográficos e abordagem conceitual no disco Araçá azul, de Caetano Veloso

2025Artigo científico Acesso aberto
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dc.contributor.authorGranato, Guilherme
dc.contributor.institutionCentro de Estudos em Música (CESEM - NOVA FCSH)
dc.contributor.institutionDepartamento de Ciências Musicais (DCM)
dc.date.accessioned2025-10-13T22:00:23Z
dc.date.available2025-10-13T22:00:23Z
dc.date.issued2025
dc.descriptionUID/00693/2025 https://doi.org/10.54499/UID/00693/2025
dc.description.abstractThis article examines Caetano Veloso's album Araca azul (1973), focusing on the use of transphonographic procedures and the conceptual approach that characterizes the work. The first album recorded in Brazil after his London exile, it stands out due to the influence of concrete poetry and the composer's willingness to conceive it as a gesture of artistic self-liberation. Veloso entered the studio without any prepared material, rejected the presence of a music producer, and emphasized the recording apparatus as an integral tool in the compositional process. Considering these factors, the article explores the hypothesis of classifying Araca azul as a concept album, addressing the origins and specificities of this format. Additionally, it analyzes and classifies the tracks "Sugar Cane Fields Forever" and "Eu quero essa mulher assim mesmo/De cara" using Serge Lacasse's (2018) model of transphonographic relations, which was developed from Gérard Genette's (1982) theories in the field of intertextual analysis.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent24
dc.format.extent345475
dc.identifier.doi10.22409/1981-4062/v36i/636
dc.identifier.issn1981-4062
dc.identifier.otherPURE: 130696466
dc.identifier.otherPURE UUID: 2014d266-b20b-4b54-94fc-a8e89760d2c7
dc.identifier.urihttp://hdl.handle.net/10362/189309
dc.identifier.urlhttps://revistaviso.com.br/article/636
dc.language.isopor
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/Avaliação UID 2023%2F2024/UID%2F00693%2F2025/PT
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.subjectAraca azul
dc.subjectCaetano Veloso;
dc.subjectConcret poetry;
dc.subjectPopular music;
dc.titleProcedimentos transfonográficos e abordagem conceitual no disco Araçá azul, de Caetano Velosopt
dc.title.alternativeTransphonographic Procedures and Conceptual Approach in Caetano Veloso's album Araça azulen
dc.typejournal article
degois.publication.firstPage147
degois.publication.issue36
degois.publication.lastPage170
degois.publication.titleViso
dspace.entity.typePublication
oaire.awardNumberUIDB/00693/2020
oaire.awardNumberUIDP/00693/2020
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationecf4db0d-71fe-4ce7-8a1b-12df4c08ae30
relation.isProjectOfPublication57a5b729-9576-434a-ab50-93a26de855f9
relation.isProjectOfPublication.latestForDiscoveryecf4db0d-71fe-4ce7-8a1b-12df4c08ae30

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