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Music, Art, Science and the Decolonisation of History

2024Artigo científico Acesso aberto
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dc.contributor.authorSeth, Sanjay
dc.contributor.authorPinto dos Santos, Mariana
dc.contributor.authorCachopo, João Pedro
dc.contributor.authorPereira, Matheus Serva
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.contributor.institutionCentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
dc.contributor.pblUniversidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Instituto de História Contemporânea
dc.date.accessioned2025-02-10T21:20:07Z
dc.date.available2025-02-10T21:20:07Z
dc.date.issued2024
dc.descriptionUIDB/00417/2020 UIDP/00417/2020
dc.description.abstractTo disseminate the stimulating discussion that took place in May 2023 as part of the Immaterial Festival in Évora, Práticas da História presents the debate from the conference "Music, Art, Science and the Decolonization of History". The session was moderated by Luís Trindade (University of Coimbra) and featured a lecture by historian Sanjay Seth (Goldsmiths College, University of London). Following the lecture, interventions were made by musicologist João Pedro Cachopo (researcher at CESEM / NOVA FCSH – IN2PAST) and art historian Mariana Pinto dos Santos (researcher at IHA / NOVA FCSH – IN2PAST). The public will find a series of reflections that Seth, prompted by Luís Trindade (IHC – NOVA FCSH / IN2PAST), shared based on his book Beyond Reason: Postcolonial Theory and the Social Sciences. His discussion focused on the codes of History and how the discipline can learn from art and music, and vice versa. In his lecture, Seth highlights the various ways of understanding what can be investigated in each respective area, with Cachopo and Santos engaging in dialogue during their interventions. These discussions revolve around conceptions of the past that establish parameters for evaluating time, what is alive or not, and what is part of the present or has potentially ceased to exist.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent33
dc.format.extent3989950
dc.identifier.doi10.48487/pdh.2024.n18.37857
dc.identifier.issn2183-590X
dc.identifier.otherPURE: 109320869
dc.identifier.otherPURE UUID: bc4948bf-2f2d-4e24-b3de-11ece5871d35
dc.identifier.otherORCID: /0000-0001-7289-1875/work/177783962
dc.identifier.otherScopus: 85219059140
dc.identifier.urihttp://hdl.handle.net/10362/178782
dc.identifier.urlhttps://www.scopus.com/pages/publications/85219059140
dc.identifier.urlhttps://praticasdahistoria.pt/article/view/37857
dc.language.isoeng
dc.peerreviewedno
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00417%2F2020/PT
dc.relationArt History Institute
dc.relationArt History Institute
dc.titleMusic, Art, Science and the Decolonisation of Historyen
dc.title.subtitleRoundtable on Sanjay Seth’s Beyond Reason: Postcolonial Theory and the Social Sciences (2021)en
dc.typejournal article
degois.publication.firstPage377
degois.publication.issue18
degois.publication.lastPage408
degois.publication.titlePráticas da História
dspace.entity.typePublication
oaire.awardNumberUIDB/00417/2020
oaire.awardNumberUIDP/00417/2020
oaire.awardTitleArt History Institute
oaire.awardTitleArt History Institute
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00417%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00417%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication401ae3e8-96f1-4dae-9e87-d040d22991fb
relation.isProjectOfPublication2dfe1927-a532-4a50-b676-93693fd90633
relation.isProjectOfPublication.latestForDiscovery401ae3e8-96f1-4dae-9e87-d040d22991fb

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