Soundart as electronic Literary Artifacts

Abstract

This presentation describes an empirical study of interpretative itineraries used by visitors to a curated collection of sound art works part of the unplace, a museum without a place exhibition, July-November 2015, Lisbon, Portugal. Results of this case study will be valuable to theorists and artists of electronic literature seeking to engage readers with virtual, online, or curated installations of electronic literature, especially as to how they might foster narrative and storytelling.