FCSH: INET-MD - Capítulos de livros nacionais
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- Esboçando Paisagens Sonoras nos Primeiros Sistemas Acústico-MecânicosPublication . Belchior, Susana; Raimundo, Isaac Daniel Casimiro; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
- ‘I’ll record it...let me just try to understand how I hold the microphone on the bass’Publication . Lacerda, Maria Teresa; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)The coronavirus pandemic has shaken everyday life. In the music scene, the criminalization of nightlife has led to a drastic reduction in live music (Nofre et al., 2020), and artistic professionals, like other gig-workers, found themselves in a position of vulnerability (Jean, 2020). But it was not only the performances that were affected by social distance: conditioned access to studios also made rehearsals and recordings difficult. In this context, access to technology has become indispensable. When musicians are wondering “how can I monetize online?” (Nobre, 2020), DIY is an alternative to consider. Composing and recording at home for later dissemination is a means of passing the time, preserving the perception of productivity and contribution to society, maintaining a close relationship with audiences and still get some income on streaming platforms. This study uses an ethnographic approach that combines participant observation and semi-structured interviews, to address the relationship between technology and creativity.
- An Interactive Animation of Maracatu de Baque Solto Collective Choreographies (Brazil)Publication . Baraldi, Filippo; Viana, Paula Maria Marques de Moura Gomes; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
- A Banda Real e outros agrupamentos de instrumentos de sopro e percussão ao serviço da monarquia (1707-1834)Publication . Fernandes, Cristina; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)Este capítulo procura fornecer uma panorâmica dos agrupamentos de instrumentistas de sopro e percussão ao serviço da monarquia portuguesa entre o reinado de D. João V e o final do Antigo Regime. Ao longo deste período de grandes transformações combinam-se tradições seculares de forte significado simbólico, ligadas ao poder real, e novas tendências do ponto de vista organológico e estético, música funcional inerente ao cerimonial da corte e a eventos religiosos e políticos, e repertórios ligados a práticas de sociabilidade e a situações de concerto. Novos dados decorrentes de investigações recentes, e ainda em curso, permitem traçar um quadro multifacetado e questionar ambiguidades relacionadas com a terminologia usada no passado e no presente: “Banda real”, “Charamela Real”, “Música das Reais Cavalariças”, entre outras designações. Abordam-se aspectos como a constituição instrumental, os perfis profissionais dos músicos e o papel dos agrupamentos em cerimónias dinásticas e práticas festivas. Em Portugal, a investigação tem dado primazia às bandas militares e às bandas filarmónicas dos séculos XIX a XXI, mas os antepassados destas possuem forte ligação ao poder monárquico e aos hábitos aristocráticos, constituindo uma componente essencial da sua imagem de esplendor e magnificência. O presente estudo incide, portanto, nos agrupamentos de sopros e percussão sob a alçada da Casa Real, sendo as bandas militares, ainda que regulamentadas por decretos régios, tidas em consideração apenas quando actuavam no contexto da corte ou no caso de intercâmbio de músicos e repertórios.
- Cantautoras Portuguesas no CibermundoPublication . Gentil, Teresa; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
- Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)Publication . Baraldi, Filippo; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)In this short paper, I briefly discuss how music and dance are related to health and emotions in Maracatu de baque solto (free-beat Maracatu), also known as Maracatu rural (rural Maracatu), a Carnival performance staged in Pernambuco state, Northeast Brazil. Several Maracatu groups, with some founded in the early 20th century, are present in the small cities and rural settlements that dot the Zona da Mata Norte, a region dominated by the sugarcane monoculture. They are highly variable in size (from 20 to 200 performers) but are always composed of several masqueraded dancers, two poets improvising chanted verses (mestres de apito), a brass section formed by two to four musicians (músicos) playing trumpets and trombones, and a group of five percussionists called terno. The men and women performing in these groups are mostly rural workers and sugarcane cutters earning very modest incomes. Every year, they spend an impressive amount of time, effort and money on participating in the Carnival competition taking place in Recife, the state capital[2]. I first approached Maracatu within the scope of the anthropology of the emotions, a topic I explored in my previous research among the Romanian Roma (Bonini Baraldi, 2021a). Working on these matters implies, among other things, seeking to understand which emotions, affects, feelings or, more generally speaking, subjective experiences are involved in musical performances (Wolf, 2001; Becker, 2004). In this regard, it came as no surprise to learn from my hosts, the inhabitants of Condado, that “Carnival brings happiness” (O Carnaval traz alegria), an emotion that for Judith Becker (2004) is universally associated to musical performances. However, as my fieldwork progressed and my relationship with the “Leão de Ouro” (Golden Lion) Maracatu members became closer, I understood that other feelings are also at stake in Maracatu performances, specifically, envy (inveja).
- «Salve-se quem puder»Publication . Roque de Freitas, Marco; Departamento de Ciências Musicais (DCM); Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
- O cooperativismo como forma de sobrevivência e de ação políticaPublication . Simões, Dulce; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
- "A primavera traz um nome de mulher…"Publication . Vieira Lopes, Sofia; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)During the Portuguese Dictatorship, the RTP Song Contest was one of the major song contest and television shows in Portugal. In the first edition, several well-known singers performed in this competition, but in the late 1960s, other singers and authors, linked to different music scenes, began to participate, mirroring the changes that occurred in Portugal during these years. In this text I will analyse how the RTP Song Contest became a platform, how it created, challenged and mediated an image of femininity, and how the press contributed to this. I will discusse several changes that occurred between 1964 and 1974, in order to contribute with some perspectives about the role of music and television in the public sphere.
- «Aqui Portugal, Moçambique»Publication . Roque de Freitas, Marco; Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-MD - NOVA FCSH)
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