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PALÁCIO DA PENA 1839-1885 – CASA DE D. FERNANDO DE SAXE-COBURGO. MORADA E MUSEU
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Orientador(es)
Resumo(s)
A presente tese concentra-se no estudo dos interiores do Palácio da Pena entre 1839 e
1885, desde a sua construção até á morte de D. Fernando II, o seu mentor. Os dados
levantados e analisados permitiram tratar os aspectos técnicos e artísticos relativos a
revestimentos, acabamentos, decoração e recheio, mas também as questões de
organização dos compartimentos, tendo em conta a época e o contexto. Neste
sentido, além da análise artística e historiográfica das salas, foi possível datar as
diferentes fases da sua decoração e identificar os mestres e fornecedores envolvidos.
Ao mesmo tempo, demonstrou-se ser fundamental para a compreensão do
monumento a diferenciação entre a época do projecto e construção, anterior à morte
de D. Maria II, o período de viuvez de D. Fernando II, quando se concluíramos
interiores das primeiras salas, e o momento a partir do qual foi estabelecida a relação
do monarca com Elise Hensler, coincidente com a campanha de decoração global do
mesto e reformulações posteriores. De facto, as diferentes passagens da biografia do
rei-artista encontram-se espelhadas no seu palácio, que, deste modo, se apresenta
como uma verdadeira casa oitocentista, ou seja, a casa como reflexo do seu dono ou o
seu cosmos particular e ideal. No mesmo sentido do estudo da casa oitocentista,
verificou-se que o Palácio da Pena apresenta os valores e preocupações características
desta época, nomeadamente a privacidade, o conforto e a higiene, associadas aos
gostos e interesses que marcaram a decoração deste período, sobretudo o revivalismo
e o exotismo permeados por valores cenográficos.
This thesis focuses on the study of the Palácio da Pena interiors between 1839 and 1885, from its construction to the death of Ferdinand II, his mentor. The data collected and analysed allowed to profound the knowledge of the technical and artistic aspects of coatings, finishes, decoration and furnishing, but also organizational issues of the compartments of the house, taking into account the time and context. In this sense, in addition to the artistic analysis and historiography of the rooms, it was possible to date the different phases of its decoration and identify the masters and suppliers involved. At the same time, proved to be crucial for understanding the monument to differentiate between the time of design and construction, before the death of Queen D. MariaII, the period of widowhood of Ferdinand II, when the interior of the first rooms was concluded, and, finnaly, the time from which was established the monarch's relationship with Elise Hensler, coinciding with the campaign of overall decor of the palace and later reformulations. In fact, the different passages of the King-artist biography are mirrored in his palace, which thus appears as a true nineteenth-century house, or the house as a reflection of its owner or his particular and ideal cosmos. In the same sense of nineteenth-century house study, it was found that Palácio da Pena presents the values and characteristics concerns of this era, notably privacy, comfort and hygiene, associated with the tastes and interests that marked the decoration of this period, especially the revival and exoticism permeated by scenographic values.
This thesis focuses on the study of the Palácio da Pena interiors between 1839 and 1885, from its construction to the death of Ferdinand II, his mentor. The data collected and analysed allowed to profound the knowledge of the technical and artistic aspects of coatings, finishes, decoration and furnishing, but also organizational issues of the compartments of the house, taking into account the time and context. In this sense, in addition to the artistic analysis and historiography of the rooms, it was possible to date the different phases of its decoration and identify the masters and suppliers involved. At the same time, proved to be crucial for understanding the monument to differentiate between the time of design and construction, before the death of Queen D. MariaII, the period of widowhood of Ferdinand II, when the interior of the first rooms was concluded, and, finnaly, the time from which was established the monarch's relationship with Elise Hensler, coinciding with the campaign of overall decor of the palace and later reformulations. In fact, the different passages of the King-artist biography are mirrored in his palace, which thus appears as a true nineteenth-century house, or the house as a reflection of its owner or his particular and ideal cosmos. In the same sense of nineteenth-century house study, it was found that Palácio da Pena presents the values and characteristics concerns of this era, notably privacy, comfort and hygiene, associated with the tastes and interests that marked the decoration of this period, especially the revival and exoticism permeated by scenographic values.
Descrição
Palavras-chave
Decoração Revivalismos, Século XIX Domesticidade Palácio Interiores Exotismo Palace Interiors Domesticity Decoration Revivalisms Exoticism