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Resumo(s)
Fado was listed as UNESCO Intangible Cultural Heritage in 2011. This dissertation
describes a theoretical model, as well as an automatic system, able to
generate instrumental music based on the musics and vocal sounds typically associated
with fado’s practice. A description of the phenomenon of fado, its musics
and vocal sounds, based on ethnographic, historical sources and empirical data is
presented. The data includes the creation of a digital corpus, of musical transcriptions,
identified as fado, and statistical analysis via music information retrieval
techniques. The second part consists in the formulation of a theory and the coding
of a symbolic model, as a proof of concept, for the automatic generation of
instrumental music based on the one in the corpus.
Descrição
Palavras-chave
Fado Ethnomusicology Music information retrieval Style imitation
