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Contrapontos: o cancioneiro popular e as obras para piano erudito
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Esta investigação tem por objetivo oferecer – sob a perspetiva de um compositor/performer – possíveis contribuições à performance pianística através da combinação entre obras eruditas instrumentais para piano e canções populares cantadas para a produção de um repertório original. Este projecto musical está a ser desenvolvido desde 2013 e é denominado Contraponto. O termo contraponto está muitas vezes associado a técnicas específicas de composição da música ocidental. O sentido dado ao termo neste trabalho tem uma acepção distinta: a intenção não é produzir uma combinação de linhas melódicas mas sim de obras, e demonstrar que pode haver pontos de interseção entre duas obras de contextos distintos, a fim de criar um terreno onde seja possível o diálogo entre elas. O sentido, portanto, é de uma proposta de prática performativa baseada no encadeamento entre os universos da música erudita e popular a partir de uma perspectiva singular, o que acaba por gerar uma rutura na dicotomia existente – entre popular e erudito – e desenvolver a criação de um novo paradigma.
This research aims to offer - from the perspective of a composer / performer - possible contributions to pianistic performance by combining classical piano works with popular works for singing in the construction of a specific repertoire. This musical project is being developed since 2013 and was called Contraponto (Counterpoint). The term counterpoint is often associated with the ancient techniques of Western music composition. The meaning given to the term in this paper has a different meaning: the intention is not to produce a combination of melodies but of works, showing that there are points of intersection between two works of different contexts in order to establish a level playing field where it is possible to combine them. The meaning, therefore, is of a proposal of performing practice based on the link between the universes of classical and popular music from a singular perspective, which ultimately generates a rupture in the dichotomy among universes for the creation of a new paradigm.
This research aims to offer - from the perspective of a composer / performer - possible contributions to pianistic performance by combining classical piano works with popular works for singing in the construction of a specific repertoire. This musical project is being developed since 2013 and was called Contraponto (Counterpoint). The term counterpoint is often associated with the ancient techniques of Western music composition. The meaning given to the term in this paper has a different meaning: the intention is not to produce a combination of melodies but of works, showing that there are points of intersection between two works of different contexts in order to establish a level playing field where it is possible to combine them. The meaning, therefore, is of a proposal of performing practice based on the link between the universes of classical and popular music from a singular perspective, which ultimately generates a rupture in the dichotomy among universes for the creation of a new paradigm.
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Palavras-chave
Contrapontos Piano Cancioneiro Performance Análise musical Fusões de obras Música erudita/popular Music analysis Fusion of works Classical/popular music