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Do Coreográfico às Proposições Decoreográficas e às Corporalidades Estésico Afetivas na Argentina - Os casos: arteMA, Danza Comunitaria e El Siluetazo
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Engatilhado pela noção de Crise, e a partir da pesquisa sobre as relações entre a estética e a política, levámos a cabo um movimento de deslocamento e desprendimento do Norte para o Sul (geo corpo político). Partindo da Coreografia, abordada como atividade paradoxal que envolve, captura e contingência, controlo e caos, paragem e movimento, articulámos o Coreográfico, enquanto campo de investigação emergente. Este, expande as práticas coreográficas, não apenas para além da dança, mas também, e sobretudo, para as formas de produção das corporalidades relacionadas com os movimentos sociais insurgentes. Para tal, partimos das noções de Coreografia Social (Hewitt, 2005), Coreopolítica e Coreopolícia (Lepecki, 2012). O nosso trabalho de campo em Buenos Aires, impeliu-nos a mergulhar no pensamento crítico latino-americano e decolonial, o qual, em ressonância com os casos de estudos escolhidos (arteMa, Danza Comunitaria, El Siluetazo), levaram à formulação das metáforas situadas: decoreográfico e corporalidades estésico afetivas, por forma a tecer e articular os sentipensamentos gestados a partir de experiências encarnadas.
Triggered by the notion of Crisis, and from the investigation of the relationships between aesthetics and politics, we performed movement of displacement and detachment from north to south (geobody politics). Starting from Choreography, approached as a paradoxical activity that involves, capture and contingency, control and chaos, stillness and movement, we articulated the Choreographic, as an emerging research field, which expands choreography, not only, beyond dance, but also, and above all, to the forms of production of corporealities related to the insurgent social movements. To do so, we started from the notions of Social Choreography (Hewitt, 2005) and Choreopolitics and Choreopolice (Lepecki, 2012). Our fieldwork in Buenos Aires, impelled us to immerse ourselves in critical Latin American and decolonial thinking, which in resonance with the chosen study cases, led to the formulation of situated metaphors: decoreographic and aesthetic affective bodies, in order to weave and articulate “feelingthoughts” generated from incarnated experiences.
Triggered by the notion of Crisis, and from the investigation of the relationships between aesthetics and politics, we performed movement of displacement and detachment from north to south (geobody politics). Starting from Choreography, approached as a paradoxical activity that involves, capture and contingency, control and chaos, stillness and movement, we articulated the Choreographic, as an emerging research field, which expands choreography, not only, beyond dance, but also, and above all, to the forms of production of corporealities related to the insurgent social movements. To do so, we started from the notions of Social Choreography (Hewitt, 2005) and Choreopolitics and Choreopolice (Lepecki, 2012). Our fieldwork in Buenos Aires, impelled us to immerse ourselves in critical Latin American and decolonial thinking, which in resonance with the chosen study cases, led to the formulation of situated metaphors: decoreographic and aesthetic affective bodies, in order to weave and articulate “feelingthoughts” generated from incarnated experiences.
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Coreografia Proposições Decoreográficas Argentina Danza Comunitaria El Siluetazo Coreográfico Decoreográfico Corporalidades Estésico Afetivas Política Estética Feminismos Decolonialidade arteMA Danza Comunitaria