Publicação
Dançando o phásma
| dc.contributor.author | Raposo, Sílvia | |
| dc.contributor.institution | Centro em Rede de Investigação em Antropologia (CRIA - NOVA FCSH) | |
| dc.contributor.pbl | Associação Portuguesa de Críticos de Teatro | |
| dc.date.accessioned | 2023-02-02T22:19:36Z | |
| dc.date.available | 2023-02-02T22:19:36Z | |
| dc.date.issued | 2022 | |
| dc.description | UIDB/04038/2020 UIDP/04038/2020 | |
| dc.description.abstract | This article proposes an analysis of theatrical dance from the performance/politics binomial in which the body is seen as a privileged place to the analysis of power, since a body when dancing always take a stand on political field. To do this, we try to contextualize the dance-theatre of of the shows Antes que Matem os elefantes, by Companhia Olga Roriz and Eu Sou Mediterrâneo, by Companhia Vidas de A a Z, in their artistic course and analyse their coreographical and scenic languages having in view an understanding of the body that dances as a body that undergoes the actions of power relations, analysing it as a place of tension and clashes that develops articulations with memory and forgetfulness in a sensory-corporal game, speaking of the body as a archive and as a place of memory and resistance and look at it as a privileged place for the analysis of power. | en |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 17 | |
| dc.format.extent | 577508 | |
| dc.identifier.doi | 10.51427/cet.sdc.2022.0009 | |
| dc.identifier.issn | 1646-0715 | |
| dc.identifier.other | PURE: 46469910 | |
| dc.identifier.other | PURE UUID: 1f4f0f3a-4ded-42e7-8065-b580cc49f251 | |
| dc.identifier.uri | http://hdl.handle.net/10362/148586 | |
| dc.identifier.url | https://revistas.rcaap.pt/sdc/article/view/28953 | |
| dc.language.iso | por | |
| dc.peerreviewed | yes | |
| dc.relation | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04038%2F2020/PT | |
| dc.relation | Centre for Research in Anthropology | |
| dc.relation | Centre for Research in Anthropology | |
| dc.subject | Performance | |
| dc.subject | Memória | |
| dc.subject | Guerra civil síria | |
| dc.title | Dançando o phásma | pt |
| dc.title.alternative | Dancing the phasmathe syrian conflict performance in contemporary dance-theater | en |
| dc.title.subtitle | a performance do conflito sírio na dança- teatro contemporânea | pt |
| dc.type | journal article | |
| degois.publication.firstPage | 137 | |
| degois.publication.issue | 1 | |
| degois.publication.lastPage | 170 | |
| degois.publication.title | Sinais de Cena | |
| degois.publication.volume | 3ª serie | |
| dspace.entity.type | Publication | |
| oaire.awardNumber | UIDB/04038/2020 | |
| oaire.awardNumber | UIDP/04038/2020 | |
| oaire.awardTitle | Centre for Research in Anthropology | |
| oaire.awardTitle | Centre for Research in Anthropology | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04038%2F2020/PT | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04038%2F2020/PT | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| rcaap.rights | openAccess | |
| relation.isProjectOfPublication | e429ee0a-e5d6-4c35-bad6-7a411b78134b | |
| relation.isProjectOfPublication | 296b6af8-a6ec-4ffb-b913-ad41070525b3 | |
| relation.isProjectOfPublication.latestForDiscovery | 296b6af8-a6ec-4ffb-b913-ad41070525b3 |
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