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A transparent dialogue between iconography and chemical characterisation

dc.contributor.authorRodrigues, Alexandra
dc.contributor.authorCoutinho, Mathilda
dc.contributor.authorMachado, Andreia
dc.contributor.authorMartinho, Bruno A.
dc.contributor.authorCerqueira Alves, Luís
dc.contributor.authorMacedo, Maria Filomena
dc.contributor.authorVilarigues, Márcia
dc.contributor.institutionVICARTE - Vidro e Cerâmica para as Artes
dc.contributor.institutionDCR - Departamento de Conservação e Restauro
dc.contributor.pblSpringerOpen
dc.date.accessioned2022-12-02T22:13:30Z
dc.date.available2022-12-02T22:13:30Z
dc.date.issued2021-12
dc.description
dc.description.abstractThis work presents the first results of the iconographic study and analytical characterisation of a set of four stained-glass panels that are part of the collection of National Palace of Pena (Sintra, Portugal). These panels were collected by the King Ferdinand II in the mid-nineteenth century, for his main residence the Palace of Necessidades (Lisbon, Portugal), and only first presented to the general public in 2011. This study contributes with the knowledge of Technical Art History and Heritage Science to a better and deeper understanding of their history, materials and techniques used in the production, where an art-historical and a scientific approach are applied to attribute their origins. Based on the analysis of the formal and stylistic characteristic of the panels, it is proposed that the drawings used for the production of three of these panels may be based on the design and painting being carried out in the same workshop, and that the four panels have the same provenance (Germany). The composition of the glass and grisaille was determined and colourising elements were identified. Through this approach, conclusive correlation between the analysed glasses was possible: all are calcium rich or calcium–potassium rich types, and the results also suggest that the same source of silica was used for their production. A typical mixture of glass and lead oxide was found in the grisaille applied on the painted panels. However, less usual was the use of a copper oxide pigment for the black grisaille. All these findings support the proposals made regarding provenance and production period (fifteenth century).en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent4841586
dc.identifier.doi10.1186/s40494-021-00480-w
dc.identifier.issn2050-7445
dc.identifier.otherPURE: 45531811
dc.identifier.otherPURE UUID: b8dd8c4c-94bd-41ce-a23f-662213a84f5e
dc.identifier.otherScopus: 85101210850
dc.identifier.otherWOS: 000619228700001
dc.identifier.otherORCID: /0000-0003-4366-4192/work/116244728
dc.identifier.urihttp://hdl.handle.net/10362/145943
dc.identifier.urlhttps://www.scopus.com/pages/publications/85101210850
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/3599-PPCDT/PTDC%2FEPH-PAT%2F3579%2F2012/PT
dc.relationThe Stained Glass collection of King Ferdinand II of Portugal - Assembling the puzzle
dc.relationStrategic Project - UI 729 - 2011-2012
dc.relation2014 - Strategic Project
dc.relationGlass and Ceramic for the Arts
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00729%2F2020/PT
dc.subjectChemical composition
dc.subjectIconography
dc.subjectPCA
dc.subjectStained glass
dc.subjectUV–vis spectroscopy
dc.subjectμ-EDXRF
dc.subjectConservation
dc.subjectArchaeology
dc.subjectArchaeology
dc.titleA transparent dialogue between iconography and chemical characterisationen
dc.title.subtitlea set of foreign stained glasses in Portugalen
dc.typejournal article
degois.publication.issue1
degois.publication.titleHeritage Science
degois.publication.volume9
dspace.entity.typePublication
oaire.awardNumberPTDC/EPH-PAT/3579/2012
oaire.awardNumberPEst-OE/EAT/UI0729/2011
oaire.awardNumberPEst-OE/EAT/UI0729/2014
oaire.awardNumberUIDB/00729/2020
oaire.awardTitleThe Stained Glass collection of King Ferdinand II of Portugal - Assembling the puzzle
oaire.awardTitleStrategic Project - UI 729 - 2011-2012
oaire.awardTitle2014 - Strategic Project
oaire.awardTitleGlass and Ceramic for the Arts
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/3599-PPCDT/PTDC%2FEPH-PAT%2F3579%2F2012/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/PEst-OE%2FEAT%2FUI0729%2F2011/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/PEst-OE%2FEAT%2FUI0729%2F2014/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00729%2F2020/PT
oaire.fundingStream3599-PPCDT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
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relation.isProjectOfPublication.latestForDiscoveryf543343f-1ff9-43d4-9657-701520fc13d2

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