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From the convent to the museum

2020-11-16Capítulo de livro Acesso aberto
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dc.contributor.authorFerreira, Sílvia
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.coverage.spatialMainz
dc.date.accessioned2021-01-28T23:54:27Z
dc.date.available2021-01-28T23:54:27Z
dc.date.issued2020-11-16
dc.descriptionUIDB/00417/2020 UIDP/00417/2020 DL 57/2016/CP1453/CT0029
dc.description.abstractWhen the religious orders were declared extinct in Portugal in 1834, the Portuguese state took possession of all their assets. Among the patrimony of the regulars, the gilded woodcarvings occupied a prominent place. Many churches and other religious spaces within the convents and monasteries were lavishly decorated with this art form. In this paper, I present and analyse three case studies that exemplify the various institutional options for the destination of these art objects. In addition to the actions that dictated their loss or dispersion, there were those that simply let them rot, or sold them at auctions, often to be disassembled and sold in antique shops. I focus my attention on actions aimed at their preservation in a public space such as that of the museum. More than a century has passed since these interventions; the contemporary perspective allows the necessary distance for an evaluation and analysis of this patrimony in terms of the maintenance of its authenticity in the museum context as well as the strategies adopted to make contemplating it a memorable experience for a diverse public audience.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent8
dc.format.extent52196358
dc.identifier.doi10.11588/propylaeum.745
dc.identifier.isbn978-3-948465-97-1
dc.identifier.otherPURE: 26476090
dc.identifier.otherPURE UUID: a788c6dd-9fd0-4d4d-a4d9-d889d4ef6849
dc.identifier.urihttp://hdl.handle.net/10362/110919
dc.identifier.urlhttps://books.ub.uni-heidelberg.de/propylaeum/catalog/book/745
dc.language.isomul
dc.peerreviewedyes
dc.publisherRömisch-Germanisches Zentralmuseum
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00417%2F2020/PT
dc.relationArt History Institute
dc.relationArt History Institute
dc.relationNot Available
dc.titleFrom the convent to the museum
dc.title.subtitlethe Displacement and Exhibition of Baroque Gilded Woodcarving Altars in Portugal
dc.typebook part
degois.publication.firstPage117
degois.publication.lastPage125
degois.publication.titleMuseen
dspace.entity.typePublication
oaire.awardNumberUIDB/00417/2020
oaire.awardNumberUIDP/00417/2020
oaire.awardNumberDL 57/2016/CP1453/CT0029
oaire.awardTitleArt History Institute
oaire.awardTitleArt History Institute
oaire.awardTitleNot Available
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00417%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00417%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/DL 57%2F2016/DL 57%2F2016%2FCP1453%2FCT0029/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStreamDL 57/2016
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication401ae3e8-96f1-4dae-9e87-d040d22991fb
relation.isProjectOfPublication2dfe1927-a532-4a50-b676-93693fd90633
relation.isProjectOfPublication7dd1cec2-4f56-44dc-89ac-ff90a85bd393
relation.isProjectOfPublication.latestForDiscovery7dd1cec2-4f56-44dc-89ac-ff90a85bd393

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