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Bell Shape Embodying Zhongyong

dc.contributor.authorLiu, Hui
dc.contributor.authorJiang, Kun
dc.contributor.authorGamboa, Hugo
dc.contributor.authorXue, Tingting
dc.contributor.authorSchultz, Tanja
dc.contributor.institutionDF – Departamento de Física
dc.contributor.institutionLIBPhys-UNL
dc.date.accessioned2022-11-18T22:13:36Z
dc.date.available2022-11-18T22:13:36Z
dc.date.issued2022-08
dc.descriptionFunding Information: The APC was funded by Open Access Initiative of the University of Bremen and the DFG via SuUB Bremen. Publisher Copyright: © 2022 by the authors.
dc.description.abstractAs an essential subset of Chinese music, traditional Chinese folk songs frequently apply the anhemitonic pentatonic scale. In music education and demonstration, the Chinese anhemitonic pentatonic mode is usually introduced theoretically, supplemented by music appreciation, and a non-Chinese-speaking audience often lacks a perceptual understanding. We discovered that traditional Chinese anhemitonic pentatonic folk songs could be identified intuitively according to their distinctive bell-shaped pitch distribution in different types of pitch histograms, reflecting the Chinese characteristics of Zhongyong (the doctrine of the mean). Applying pitch distribution to the demonstration of the Chinese anhemitonic pentatonic folk songs, exemplified by a considerable number of instances, allows the audience to understand the culture behind the music from a new perspective by creating an auditory and visual association. We have also made preliminary attempts to feature and model the observations and implemented pilot classifiers to provide references for machine learning in music information retrieval (MIR). To the best of our knowledge, this article is the first MIR study to use various pitch histograms on traditional Chinese anhemitonic pentatonic folk songs, demonstrating that, based on cultural understanding, lightweight statistical approaches can progress cultural diversity in music education, computational musicology, and MIR.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent20
dc.identifier.citationLiu, H., Jiang, K., Gamboa, H., Xue, T., & Schultz, T. (2022). Bell Shape Embodying Zhongyong: The Pitch Histogram of Traditional Chinese Anhemitonic Pentatonic Folk Songs. Applied Sciences, 12(16), Article 8343. https://doi.org/10.3390/app12168343
dc.identifier.doihttps://doi.org/10.3390/app12168343
dc.identifier.issn2076-3417
dc.identifier.otherPURE: 47342583
dc.identifier.otherPURE UUID: d567cad1-a107-4974-bb41-686f1cd47519
dc.identifier.otherScopus: 85136538968
dc.identifier.otherWOS: 000846270400001
dc.identifier.otherORCID: /0000-0002-4022-7424/work/123146363
dc.identifier.urihttp://hdl.handle.net/10362/145647
dc.language.isoeng
dc.peerreviewedyes
dc.subjectanhemitonic pentatonic
dc.subjectChinese music
dc.subjectcomputational musicology
dc.subjectmachine learning
dc.subjectmerged pitch histogram
dc.subjectmusic education
dc.subjectmusic information retrieval
dc.subjectpentatonic
dc.subjectpitch distribution
dc.subjectpitch histogram
dc.subjectMaterials Science(all)
dc.subjectInstrumentation
dc.subjectEngineering(all)
dc.subjectProcess Chemistry and Technology
dc.subjectComputer Science Applications
dc.subjectFluid Flow and Transfer Processes
dc.titleBell Shape Embodying Zhongyong
dc.title.subtitleThe Pitch Histogram of Traditional Chinese Anhemitonic Pentatonic Folk Songs
dc.typejournal article
dspace.entity.typePublication
oaire.citation.issue16
oaire.citation.titleApplied Sciences
oaire.citation.volume12
rcaap.rightsopenAccess
rcaap.typearticle

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