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On Imitation and Style in Mid to Late 16th-Century Portuguese Masses

2022-07-05Documento de conferência Acesso aberto
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dc.contributor.authorD'Alvarenga, João Pedro
dc.contributor.institutionCentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
dc.date.accessioned2022-09-05T22:08:36Z
dc.date.available2022-09-05T22:08:36Z
dc.date.issued2022-07-05
dc.descriptionUIDB/00693/2020 UIDP/00693/2020
dc.description.abstractA part of the Lost&Found project, currently run in CESEM at Universidade Nova de Lisboa, explores the neglected repertories of mid to late 16th-century Portuguese polyphony by analysing coherent collections of complete works and essaying the reconstruction of missing voices in incomplete sets of manuscript partbooks. It builds upon a considered adaptation of the methodologies for contextually and dynamically displaying music and musical analysis in the digital domain first developed within international groundbreaking projects, like The Lost Voices, and CRIM. A considerable portion of the corpus selected for analysis consists of a group of imitation masses, the models of which, except one, are still unidentified. This poses the problem of knowing to what extent the polyphonic techniques and style of the mass depend on the model. This knowledge has obvious implications on the assessment of freely composed works to which missing voices have to be reconstructed. The analysis of the relationships between Francisco de Santa Maria’s Missa O beata Maria and its known model — a motet by Pedro Guerrero — illuminates not only the former composer’s style from his reworking methods of the latter composer’s work, but also the type of imitatio prevalent in Portuguese masses from the latter half of the 16th century.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent2
dc.format.extent94276
dc.identifier.otherPURE: 45645206
dc.identifier.otherPURE UUID: 58468cf1-abbe-42fc-9fe7-7f53ae70e039
dc.identifier.otherORCID: /0000-0003-2106-9333/work/118497715
dc.identifier.urihttp://hdl.handle.net/10362/143481
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.titleOn Imitation and Style in Mid to Late 16th-Century Portuguese Massesen
dc.title.subtitleThe Missa O beata Maria by Francisco de Santa Maria and its Modelen
dc.typeconference object
degois.publication.firstPage2
degois.publication.issue50
degois.publication.lastPage3
degois.publication.titleInternational Medieval and Renaissance Music Conference
dspace.entity.typePublication
oaire.awardNumberUIDB/00693/2020
oaire.awardNumberUIDP/00693/2020
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationecf4db0d-71fe-4ce7-8a1b-12df4c08ae30
relation.isProjectOfPublication57a5b729-9576-434a-ab50-93a26de855f9
relation.isProjectOfPublication.latestForDiscoveryecf4db0d-71fe-4ce7-8a1b-12df4c08ae30

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