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Materialisation and materiality in Almada's geometry

dc.contributor.authorPalmeirim , Simão
dc.contributor.authorFreitas, Pedro
dc.contributor.institutionInstituto de Estudos de Literatura e Tradição (IELT - NOVA FCSH)
dc.coverage.spatialLisboa
dc.date.accessioned2025-01-30T21:04:30Z
dc.date.available2025-01-30T21:04:30Z
dc.date.issued2024
dc.descriptionUIDB/00657/2020 UIDP/00657/2020
dc.description.abstractFrom an early age, Almada Negreiros developed a fascination for geometry that became manifest in several ways: as a tool for understanding and making art, as a subject for creation and even as the basis for a theory about art. Pervading most of his later work, Geometry is also key to some of his large-scale mural works. With this chapter, we intend to show examples of how the author materialised geometrical concerns and propositions in three mural works: the façades at Cidade Universitária in Lisbon, the Edifício das Matemáticas in Coimbra, and the panel Começar at the Gulbenkian Foundation in Lisbon. Based on recently discovered documentation in the author’s estate, with new data, we also aim to clarify some relevant material aspects of these works.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent18
dc.format.extent933915
dc.identifier.doi10.34619/ar2r-b807
dc.identifier.isbn978-989-35191-4-1
dc.identifier.otherPURE: 107300464
dc.identifier.otherPURE UUID: 5b52f490-5db6-4740-b066-87cbfbb478c2
dc.identifier.otherORCID: /0000-0002-1404-7665/work/177030071
dc.identifier.urihttp://hdl.handle.net/10362/178162
dc.language.isoeng
dc.peerreviewedyes
dc.publisherIHA-NOVA FCSH/IN2PAST, Lab HERCULES -Universidade de Évora / IN2PAST
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00657%2F2020/PT
dc.relationInstitute for the Study of Literature and Tradition
dc.relationInstitute for the Study of Literature and Tradition
dc.subjectGeometry
dc.subjectMurals
dc.subjectCidade Universitária
dc.subjectEdifício das Matemáticas
dc.subjectComeçar panel
dc.titleMaterialisation and materiality in Almada's geometryen
dc.typebook part
degois.publication.firstPage95
degois.publication.lastPage112
degois.publication.titleOn mural painting – Almada Negreiros, Spain and dictatorships
dspace.entity.typePublication
oaire.awardNumberUIDB/00657/2020
oaire.awardNumberUIDP/00657/2020
oaire.awardTitleInstitute for the Study of Literature and Tradition
oaire.awardTitleInstitute for the Study of Literature and Tradition
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00657%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00657%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationb86face2-8396-465f-8654-26120464cac2
relation.isProjectOfPublication79795619-a741-4023-88a3-c75e6f535b92
relation.isProjectOfPublication.latestForDiscovery79795619-a741-4023-88a3-c75e6f535b92

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