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Preparar a imagem

2018-01-01Recensão Acesso aberto
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dc.contributor.authorAntunes, Vanessa
dc.contributor.authorSerrão, Vítor
dc.contributor.authorCoroado, João
dc.contributor.authorCarvalho, Maria Luísa
dc.contributor.institutionLIBPhys-UNL
dc.contributor.institutionDF – Departamento de Física
dc.contributor.pblAssociação Profissional de Conservadores-Restauradores de Portugal (ARP)
dc.date.accessioned2019-03-28T23:29:36Z
dc.date.available2019-03-28T23:29:36Z
dc.date.issued2018-01-01
dc.descriptionSFRH/BPD/103315/2014 Vanessa Antunes agradece à Fundação para a Ciência e Tecnologia o apoio financeiro (bolsa de pós-doutoramento SFRH/BPD/103315/2014) através do programa QREN-POPHtipologia 4.1., co-participada pelo Fundo Social Europeu (FSE) e pelo Fundo Nacional MCTES.
dc.description.abstractThe study of the ground layers in ancient painting covers different aspects of its production stages. One of the phases, which we will explore in this text, is the adequacy of the ground layer to receive the drawing. With this aim we made an approach to the type of drawing found in some of the works studied by identifying certain technical issues established in prints from metal engraving technique, with Northern European influences. Ground layers are mostly composed of calcium sulfate, mainly anhydrite in the case of gesso grosso, with addition of calcium carbonate grains in order to smooth the surface of the drawing and painting, or dihydrated gypsum, gesso mate or "gesso sottile", which alone provides the ideal smoothness and fineness to receive the minutia of the drawn details.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent12
dc.format.extent2928682
dc.identifier.doi10.14568/cp2016032
dc.identifier.issn1646-043X
dc.identifier.otherPURE: 12302468
dc.identifier.otherPURE UUID: 03d2f7ad-18b7-4039-b7b7-7dc960df9b57
dc.identifier.otherScopus: 85042229179
dc.identifier.otherWOS: 000419311500004
dc.identifier.urihttp://www.scopus.com/inward/record.url?scp=85042229179&partnerID=8YFLogxK
dc.identifier.urlhttps://www.scopus.com/pages/publications/85042229179
dc.language.isopor
dc.peerreviewedyes
dc.subjectAnhydrite
dc.subjectCalcium carbonate
dc.subjectGesso
dc.subjectGround layer
dc.subjectPortuguese painting
dc.subjectConservation
dc.subjectMuseology
dc.titlePreparar a imagempt
dc.title.alternativePreparing the imageGround layers in Portuguese painting of 15th and 16th centuries -engraving and preparationen
dc.title.subtitleAs camadas de preparação na pintura portuguesa dos séculos XV-XVI -A gravura e a preparaçãopt
dc.typereview
degois.publication.firstPage37
degois.publication.issue27
degois.publication.lastPage48
degois.publication.titleConservar Património
dspace.entity.typePublication
rcaap.rightsopenAccess

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