Publicação
Rua do Prior, 41
| dc.contributor.author | Strippoli, Giulia | |
| dc.contributor.author | d'Amico de Carvalho, Lorenzo | |
| dc.contributor.institution | Instituto de História Contemporânea (IHC) | |
| dc.contributor.pbl | Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Instituto de História Contemporânea | |
| dc.date.accessioned | 2023-01-18T22:17:37Z | |
| dc.date.available | 2023-01-18T22:17:37Z | |
| dc.date.issued | 2022 | |
| dc.description | UIDB/04209/2020 UIDP/04209/2020 | |
| dc.description.abstract | Based on the film Rua do Prior 41, by Lorenzo d’Amico de Carvalho, the two authors discuss the possibilities of repre-senting the Carnation Revolution of April 1974 and the uses of memory. Crossing their gazes on historiographical interests, the use of image, creation and dissemination through theatre and cinema, Strippoli and d’Amico de Carvalho talk about the relationship between archival sources, literature, and mise en scène, for addressing the history of the largest Italian extra-par-liamentary left-wing group of the seventies, Lotta Continua, and its connection to the April Revolution and the “Sixty-ei-ght”. The text introduces the film and offers an interpretation about the relationship between the history of the revolution, the memory of the protagonists and the visuality of the past. | en |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 8 | |
| dc.format.extent | 2240466 | |
| dc.identifier.doi | 10.48487/pdh.2022.n14.28222 | |
| dc.identifier.issn | 2183-590X | |
| dc.identifier.other | PURE: 50808487 | |
| dc.identifier.other | PURE UUID: 352b3c09-c2d6-4f11-868d-6a0c7480ab6e | |
| dc.identifier.other | ORCID: /0000-0002-2583-7195/work/126852525 | |
| dc.identifier.other | Scopus: 85140757834 | |
| dc.identifier.uri | http://hdl.handle.net/10362/147816 | |
| dc.identifier.url | https://praticasdahistoria.pt/article/view/28222 | |
| dc.language.iso | por | |
| dc.peerreviewed | no | |
| dc.relation | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04209%2F2020/PT | |
| dc.relation | Institute of Contemporary History | |
| dc.relation | Institute of Contemporary History | |
| dc.subject | Uses of the past | |
| dc.subject | Cinema | |
| dc.subject | Lotta Continua | |
| dc.subject | Memory | |
| dc.subject | Carnation Revolution | |
| dc.title | Rua do Prior, 41 | pt |
| dc.title.subtitle | Lotta Continua, the Carnation Revolution and the uses of the past in documentary cinema | pt |
| dc.type | journal article | |
| degois.publication.firstPage | 201 | |
| degois.publication.issue | 14 | |
| degois.publication.lastPage | 208 | |
| degois.publication.title | Práticas da História | |
| dspace.entity.type | Publication | |
| oaire.awardNumber | UIDB/04209/2020 | |
| oaire.awardNumber | UIDP/04209/2020 | |
| oaire.awardTitle | Institute of Contemporary History | |
| oaire.awardTitle | Institute of Contemporary History | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04209%2F2020/PT | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04209%2F2020/PT | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| rcaap.rights | openAccess | |
| relation.isProjectOfPublication | 40b31e0a-7a3c-44c2-9eda-da2105cdcd94 | |
| relation.isProjectOfPublication | 9aa4cb2d-1326-4c48-b7f5-8a472d587b6b | |
| relation.isProjectOfPublication.latestForDiscovery | 40b31e0a-7a3c-44c2-9eda-da2105cdcd94 |
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