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Stravinsky and Maritain

2023-06-30Artigo científico Acesso aberto
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dc.contributor.authorMoody, Ivan
dc.contributor.institutionCentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
dc.contributor.pblInstitute of Musicology of the Serbian Academy of Sciences and Arts (SASA)
dc.date.accessioned2024-04-17T01:32:48Z
dc.date.available2024-04-17T01:32:48Z
dc.date.issued2023-06-30
dc.descriptionUIDB/00693/2020 UIDP/00693/2020
dc.description.abstractIgor Stravinsky’s philosophical and religious trajectory included transformative encounters with Catholic theologians and philosophers in the Paris of the 1920s and 1930s. The most important amongst these was Jacques Maritain, whose neoThomist philosophy applied to art was of significance to Stravinsky, and in particular through its application in the life and work of fellow Russian émigré composer Arthur Lourié. This article examines the relationship between Stravinsky and Maritain in terms of the larger philosophical and creative context of the period, also touching on the work of Lourié and Manuel de Falla, and discussing its ramifications in the work of Stravinsky himself.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent11
dc.format.extent161819
dc.identifier.doi10.2298/MUZ2334033M
dc.identifier.issn1450-9814
dc.identifier.otherPURE: 88494142
dc.identifier.otherPURE UUID: 67183636-c3eb-4ab4-805e-a61d24fc05ec
dc.identifier.otherScopus: 85164013464
dc.identifier.otherORCID: /0000-0003-4911-305X/work/157780780
dc.identifier.otherWOS: 001068568400003
dc.identifier.urihttp://hdl.handle.net/10362/166311
dc.identifier.urlhttps://www.scopus.com/pages/publications/85164013464
dc.identifier.urlhttps://doiserbia.nb.rs/Article.aspx?ID=1450-98142334033M
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.relationCentre for the Study of the Sociology and Aesthetics of Music
dc.subjectArthur Lourié
dc.subjectIgor Stravinsky
dc.subjectJacques Maritain
dc.subjectSacred music
dc.subjectScholasticism
dc.subjectMusic
dc.titleStravinsky and Maritainen
dc.title.subtitlePhilosophies of Worken
dc.typejournal article
degois.publication.firstPage33
degois.publication.issue34
degois.publication.lastPage43
degois.publication.titleMuzikologija
degois.publication.volume2023
dspace.entity.typePublication
oaire.awardNumberUIDB/00693/2020
oaire.awardNumberUIDP/00693/2020
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardTitleCentre for the Study of the Sociology and Aesthetics of Music
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationecf4db0d-71fe-4ce7-8a1b-12df4c08ae30
relation.isProjectOfPublication57a5b729-9576-434a-ab50-93a26de855f9
relation.isProjectOfPublication.latestForDiscovery57a5b729-9576-434a-ab50-93a26de855f9

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