Time in Cinema and Modern Art

Viegas, Susana

http://hdl.handle.net/10362/144922

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Viegas, Susana

Resumo(s)

Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze – and questions how absolute time and chronological time are brought to a state of crisis by this modern form of art.