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Política cool, humor fun

2020-12Artigo científico Acesso aberto
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dc.contributor.authorFerreira, João Pedro Rosa
dc.contributor.authorVieira, Thaís L.
dc.contributor.institutionCHAM - Centro de Humanidades
dc.contributor.pblEditora Universidade Federal de Goiás
dc.date.accessioned2021-02-01T23:31:46Z
dc.date.available2021-02-01T23:31:46Z
dc.date.issued2020-12
dc.descriptionUIDB/04666/2020 UIDP/04666/2020
dc.description.abstractThe movie No, released in 2012, is considered in this paper as a means to reflect not only on the movie narrative (that is, its content itself: the advertising campaign previous to the 1988 plebiscite, when the Chileans decided not to perpetuate Pinochet's dictatorship), but also on the role of humor in the connection between the 'society of the spectacle' and the consumer society in Latin American politics, especially from the 1970s onwards, regarding the problems posed in the post dictatorial times. In No, director Pablo Larraín discusses topics such as ‘political emptying’ and the conditions of disengagement - in this case, by means of the idea of 'humorous society'.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent15
dc.format.extent346029
dc.identifier.doi10.5216/hr.v25i3.66683
dc.identifier.issn2238-6270
dc.identifier.otherPURE: 27585457
dc.identifier.otherPURE UUID: 5d2e5198-596c-4fe4-9633-500032d6ec4e
dc.identifier.otherORCID: /0000-0003-0860-2471/work/87925320
dc.identifier.urihttp://hdl.handle.net/10362/111100
dc.identifier.urlhttps://www.revistas.ufg.br/historia/article/view/66683
dc.language.isopor
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT
dc.relationCHAM — Centre for the Humanities
dc.relationCHAM — Centre for the Humanities
dc.subjectCinema
dc.subjectHumorous society
dc.subjectChile
dc.subjectPablo Larraín
dc.subjectNo
dc.subjectHistory
dc.subjectSDG 16 - Peace, Justice and Strong Institutions
dc.titlePolítica cool, humor funpt
dc.title.alternativeCool politics, fun humorThe humorous code and the loss of collective dimension in the movie No, by Pablo Larraínen
dc.title.subtitleO código humorístico e a perda da dimensão coletiva no filme No, de Pablo Larraínpt
dc.typejournal article
degois.publication.firstPage257
degois.publication.issue3
degois.publication.lastPage271
degois.publication.titleHistória Revista
degois.publication.volume25
dspace.entity.typePublication
oaire.awardNumberUIDB/04666/2020
oaire.awardNumberUIDP/04666/2020
oaire.awardTitleCHAM — Centre for the Humanities
oaire.awardTitleCHAM — Centre for the Humanities
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04666%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication5a4bf7c1-2d1e-4b8c-a636-75680f773764
relation.isProjectOfPublication1395c83d-c491-4fe3-9f54-a13739c3da0e
relation.isProjectOfPublication.latestForDiscovery1395c83d-c491-4fe3-9f54-a13739c3da0e

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